A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Serbian Church In History - Popular Uprising Against the Turks

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POPULAR UPRISING AGAINST THE TURKS

All patriarchs belonging to Sokolovic family tended to have correct relationships with Turks. However, although general living conditions were somewhat easier than at the beginning of Turkish occupation, Patriarch Jovan Kantul (1529-1613, John) changed this previously established attitude of his predecessors since both he and the people in general recognised the fact that the nation was still clearly enslaved. It was thought that nothing but freedom gained through a popular uprisings could set things to the right track again. This attitude prevailed by the end of the 16th century and continued to be in effect until freedom was gained three centuries later.

In 1594 an uprising of Serbs occurred in the region of Banat. Rebels carried flags bearing icons of St. Sava. A similar uprising broke out in the vicinity of Pec, and one occurred in Herzegovina in 1597. All of these were brutally put down by Turks and were ended in a terrible bloodbath. St. Theodore, Bishop of Vrsac and leader of Banat rebels, was skinned alive. As a measure of retaliation one of Turkish local rulers, Sinnan Basha, ordered relics of St. Sava to be burned in Beograd on April 27th/May 10th 1594. Patriarch Jovan Kantul also paid a heavy price — he was executed in Constantinople in 1613.

Patriarch Pajsije Janjevac (1614-1647, Paysiye Yanyevats) realized that open rebellion could not set things right. He turned for aid to Imperial Russia which had for a while already been a source of literary (service books) and some financial support. As the head of the Church he worked earnestly to strengthen the faltering spirit of the nation through constant celebration of Liturgy and by intense writing. He wrote the biography of the last Serbian emperor, Uros, and composed a Service to him. He also wrote the Service to St. Symon (King Stefan Prvovencani).

Patriarch Gavrilo I (1648-1655, Gabriel) also died a martyr’s death whilst in Turkish captivity.


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Ivana Todorović

Ivana Todorović je rediteljka kratkih socijalno angazovanih dokumentarnih filmova, koje je pravila u Beogradu i Njujorku. Filmovi „Ja kada sam bila klinac, bila sam klinka“, „A Harlem Mother“, „Rapresent“ i „Svakodnevica romske dece iz bloka 71“ prikazani su na preko 100 internacionalnih filmskih festivala poput 63. Festivala u Berlinu, Berlinale Shorts; IFF Rotterdam, The Traverse City Film Festival (festival Michael Moore-a), Palm Springs Shorts, Sarajevo Film Festival; Anthology Film Archive u Njujorku i Cultura Contemporiana de Barcelona. Nagradjivani su na festivalima u Srbiji, Kosovu, Americi, Rusiji, Italiji, Kanadi.

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0