A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0


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Rastko Petrović

Rastko Petrović (Belgrade, 1898 – Washington, D.C., 1949), poet, novelist, travel writer, essayist, etnographer, giffted sketcher, camerman and photographer. He graduated law in France, and on his return to Yugoslavia he worked as an art and literary critic. After this he was employed in the diplomatic service and posted to Italy and the USA. He is considered to be one of the most important and most influential Serbian writers in the period between the two world wars.

Major works: The Burlesque of Lord Perun the God of Thunder (Burleska Gospodina Peruna Boga Groma, 1921, fiction), Revelation (Otkrovenje, 1922, poems), Africa (Afrika, 1930, travel book), People Talk (Ljudi govore, 1931, fiction), Day the Sixth (Dan šesti, 1961, novel).

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The Hagia Sophia

The Mystical Light of the Great Church and its Architectural Dress

by Charalambos P. Stathakis

Dear reader, as you run like the rest of us along the dizzy main road, stop, stay aside for a while. Let the others be dizzy, and take the secret underground trail, which will lead you through the dewdrops of the leaves, the crystal smile of the sun, the city’s underground galler- ies, your knowledge, and your feelings, to the doorstep of the Hagia Sophia. Because all dew- drops, all sunrays, and all beauty lead there. That is what you will be told by my friend, the author, whom I am fond of and whom I send you to, Charalambos Stathakis: the doctor, the warm and humane researcher, the scientist devoted to his work and his patients, who has given a series of scientific papers, who, nevertheless, retains a nest of beauty untouched in his heart, which makes him outstanding—even though he is not a specialist in architecture, nor a historian, nor a theologian, nor a Byzantinist—it makes him stand out in all these together and in entirety.

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