A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Miloje Milinković

1958 - born in Belgrade, Serbia

1973 - Graduated from High School

1973-1977 - Started in iconography in the group of academic painter, Professor Misa Mladenovic and under tutorship of the St. Sava Theological School in Belgrade, Serbia. Stayed with the group from 1975 to 1980.

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1980-1983 - Painted icons and frescoes with Academic Painter, Deacon Marko Ilich.

1984-1986 - Stayed in Greece learning and painting frescoes and icons in Katerini, Thesaloniki and Mount Athos. Received a blessing from master teacher of iconography, Fr. Arsenios, in the monastery in Mount Athos.

1986-1987 - Returned to Serbia and by the request and Episcopal blessing of Bishop of Sumadija, Dr. Sava, to work as an iconographer in the Serbian Orthodox Church and to paint frescoes in a monastery in Divostin and in a church in Lazarevac, Serbia.

1987-1988 - Painted frescoes in a cathedral in Kragujevac, the church in Lazarevac, and the church in Fair Oaks, CA.

1989-1990 - Painted iconostas for the church in Fair Oaks, CA, and frescoes for the churches in Serbia. Completed the iconostas in Fair Oaks, CA, and painted frescoes in the church in Serbia.

1991-1993 - Painted frescoes and icons in Serbia and 1993--continued painting frescoes in the church in Fair Oaks, CA.

1995-2008 - Began the frescos at St. Sava, Jackson, CA, and painted frescoes and icons in Libertyville, IL, South Bend and Schererville, IN, and Detroit, MI.

2008 - Completed the frescoes at St. Sava, Jackson, CA.

Text and photo from: http://www.angier-fox.com/st-sava/miloe.htm


SA

 

People Directory

Никола Васић

Родио се у Зворнику, у БиХ ,1893. године, умро је у Балтимору 1961. године у Балтимору, САД.

Спада у најбоље градитеље виолина у свету између два светска рата.

1908. године из Зворника одлази у Нови Сад на изучавање заната за прављење гудачких инструмената, а занат усавршава у тадашњој Чехословачкој. Боравио је и у Русији, Кини и Јапану да би се најзад 1925. године настанио у САД. Ту га открива чувени северноамерички виртуоз на виолини Елман и назива највећим живим светским градитељем виолина. Упоређује га са Страдиваријем, највећим и најпознатијим градитељем виолина и других гудачких инструмената на којима свирали или свирају највећи уметници.

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Publishing

Holy Emperor Constantine and the Edict of Milan

by Bishop Athanasius (Yevtich)

In 2013 Christian world celebrates 1700 years since the day when the Providence of God spoke through the holy Emperor Constantine and freedom was given to the Christian faith. Commemorating the 1700 years since the Edict of Milan of 313, Sebastian Press of the Western American Diocese of the Serbian Orthodox Church published a book by Bishop Athanasius Yevtich, Holy Emperor Constantine and the Edict of Milan. The book has 72 pages and was translated by Popadija Aleksandra Petrovich. This excellent overview of the historical circumstances that lead to the conversion of the first Christian emperor and to the publication of a document that was called "Edict of Milan", was originally published in Serbian by the Brotherhood of St. Simeon the Myrrh-gusher, Vrnjci 2013. “The Edict of Milan” is calling on civil authorities everywhere to respect the right of believers to worship freely and to express their faith publicly.

The publication of this beautiful pocket-size, full-color, English-language book, has been compiled and designed by Bishop Athanasius Yevtich, a disciple of the great twentieth-century theologian Archimandrite Justin Popovich. Bishop Athanasius' thought combines adherence to the teachings of the Church Fathers with a vibrant faith, knowledge of history, and a profound experience of Christ in the Church.

In the conclusion of the book, the author states:"The era of St. Constantine and his mother St. Helena, marks the beginning of what history refers to as Roman, Christian Empire, which was named Byzantium only in recent times in the West. In fact, this was the conception of a Christian Europe. Christian Byzantine culture had a critical effect on Europe; Europe was its heir, and then consciously forgot it. Europe inherited many Byzantine treasures, but unfortunately, also robbed and plundered many others for its own treasuries and museums – not only during the Crusades, but during colonial rule in the Byzantine lands as well. We, the Orthodox Slavs, received a great heritage of the Orthodox Christian East from Byzantium. Primarily, Christ’s Gospel, His faith and His Church, and then, among other things, the Cyrillic alphabet, too."