A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Stephen Stepanchev

Dr. Stephen Stepanchev has inspired several generations of writers who have taken his creative writing classes from 1949 to 1985 at Queens College.

As Professor Emeritus of English, he now spends his time writing and reading poems in public places all across the City, and all the more so with his title as the first Poet Laureate of the borough of Queens, an appellation assigned for the period of 1997 through the year 2000.

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Stepanchev is a consummate poetic craftsman. He arises every day at four a.m. to struggle with a few phrases and polish a few lines before his morning walk through Flushing. His poems, like his life, reflect the rich immigrant experience so familiar to our neighborhoods.

Stephen Stepanchev was born in Mokrin, Yugoslavia, in 1915. His mother brought him to Chicago when he was seven, where he quickly picked up English in his immigrant neighborhood. On a scholarship, he went to the University of Chicago, received his bachelor's and master's degrees and was elected to Phi Beta Kappa.

During World War II, he served in the U.S. Army, working in the Adjutant General's Office in London, Paris and Frankfurt. He received a Bronze Star Medal at the end of the War.

He has published a major critique of American poetry - American Poetry Since 1945 - ten collections of poems, and appears regularly in such venues as The New Yorker and Poetry magazines. He recently appeared in The Bedford Introduction to Literature, a major College anthology.

Biographical sketch by Robert C. Weller
Photograph by Nancy Bareis


СТЕФАН (СВЕТОЗАР) СТЕПАНЧЕВ, песник из Мокрина (Банат). Магистрирао је на Универзитету у Чикагу и докторирао америчку књижевност на Универзитету у Њујорку. 1949. Почео је да предаје на Одељењу за енглески на Квинс Колеџу, где је остао све до пензионисања 1985. Објавио је девет књига поезије, писао за Американски Србобран. Песме су му објављивање у престижним часописима Poetri, Modern poetri stadis, Njujork Kvarteli а два броја часописа Sperou посвећена су његовим делима.

Раша Попов је 1977. превео његове песме на српски, објављене су у Вршцу у збирци Голубица на багрему.

Познат је и као аутор књиге Америчка поезија од 1945. године која се користи у средњим школама и на колеџима широм САД.


SA

 

People Directory

Vladan Bataveljic

Vladan Bataveljic was born in Kutlovo, district of Kragujevac. Graduates from Faculty of Law of the University of Belgrade in 1929. Specialization in law studies finishes in Grenoble, France. Establishes a law office in Belgrade, Poenkareova 32. Owner and editor of the magazine for literature and art "Razmena" with office in Beogradska street 35, Belgrade. Writes poetry, does caricature drawing and writes art and literary criticism.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0