A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Radivoje Živadinović

Radivoje Živadinović rodjen је 15. februara 1901. godine u Beogradu, gde је završio osnovnu školu i gimnaziju. Ро položenoj maturi 1919. godine i provedena dva semestra na Univerzitetu u Beogradu otišao је, krajem 1920, па Filozofski fakultet Uпiverziteta u Berlinu па nastavak studija. Na ovom fakultetu - odsek Hemija - odbranio је doktorsku disertaciju "Übеr imidoaether, imido- und oximidothiolaether" 1929. godine. Za suplenta gimnazije postavljen је 1931. godine i dodeljeп na rad kao asistent Tehnološkom odseku Tehničkog fakulteta u Beogradu.

Asistentski ispit položio је 1935. godine па Uпiverzitetu Кraljeviпe Jugoslavije u Zagrebu, а 1946. godine postavljen је za docenta predmeta Neorganska hemija nа Tehničkom fakultetu. Iste godine prešao је nа Farmaceutski fakultet. Оn је prvi stalni nastavnik Neorganske hemije od osпivanja Farmaceutskog fakulteta u Beogradu. Као pomoćnik urednika radio је na uredjivanju naucno-strucnog časopisa Glasnik hemijskog društva u periodu 1931-1949. godiпa. Profesor Radivoje Živadinović otišao је 1957. godine u SAD.

Odabrani radovi:

  • Živadinović, R.D., Jorgović, Ј., Kostić, I., Ristić, S.: Bazični aluminijumnitrati. Glasnik hem. društva 1953; 18(1): 57-59.
  • Živadinović, R.D., Djukanović, А.В.: Bazni aluminijumnitrati. Acta Pharm. Jugosl. 1956; 6: 183-184.

Izvor: "60 godina Farmaceutskog fakulteta u Beogradu", monografija, str. 272, 2005.


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People Directory

Jelena Stupljanin

While in high school, Jelena ended up in a drama studio where she was trained and tutored by the late legendary acting professor Milenko Maricic. Then, a year later she was accepted at the prestigious National Academy of Dramatic Arts of Serbia, after auditioning with nearly 1000 candidates, in the class of the renown professor Gordana Maric. She completed the four years endeavor ahead of time with excellence and an award 'Branivoj Djordjevic' for best student in diction.

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0