A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Vasa Mihich

A senior Professor of Design at the University of California, Los Angeles, Vasa is an innovative, internationally known sculptor whose creative work explores the three dimensional interactions of light and color. With an advanced understanding of optical complexities, Vasa has become, in the words of Henry Seldis, former art critic of The Los Angeles Times, "the most sensuous and sensational colorist of the southern California artists working in plastic."

.

Born in Yugoslavia in 1933, Vasa Mihich, an academically trained painter, became a member of the faculty at the University of Belgrade in 1956. During a visit to Paris that same year, Vasa became aware of the growing importance of American art, and four years later he immigrated to the United States. Influenced by the major changes taking place in art in the United States and especially in Los Angeles, Vasa began working in three-dimensional painted constructions in 1964. This work was first shown in January, 1966 in the Feigen-Palmer Gallery in Los Angeles and that same year was included in the seminal exhibit American Sculptures of the Sixties at the Los Angeles County Art Museum and other museum and university exhibits. 1967 was an important year for Vasa. He began including plastic in his work. A painter interested in placing color in open space, he began to use clear plastic as a structural support for different planes of color. Expecting to explore this medium for a few years, Vasa, to his surprise, continues some thirty years later to discover new possibilities. In 1967 he also returned to teaching, joining the faculty at UCLA where he continues to teach.

Except for a brief stay in New York, Vasa has lived in California since his arrival in the United States. Here in his comprehensive studio, located in the heart of Los Angeles and designed and built to accommodate the machinery, staff and advanced technology required for his work, Vasa creates and makes all of his art. And now, in response to the new information age the artist has designated several works for presentation and commission on the internet.


Links


People Directory

Željko Đukić

TUTA Theatre Chicago's Zeljko Djukic Awarded Fulbright Scholar Grant and Names Successor

Zeljko Djukic, who, in 2001, co-founded the TUTA Theatre Chicago as Artistic Director, will now assume the role of Founding Director. He has elected TUTA Ensemble Member Jacqueline Stone to assume the role of Artistic Director starting September 1.

.
Read more ...

Publishing

Notes on ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.

.