A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Kim Komenich

Journalism New Media Asst Prof, Journalism & Mass Comm

Education:

  • Master of Arts. Univ Of Missouri-Columbia, 2007
  • Bachelor of Arts, Journalism
  • San Jose St Univ, 1979

Kim Komenich worked as a staff photographer and editor for the San Francisco Chronicle (2000-2009) and the San Francisco Examiner (1982-2000.) He was awarded the 1987 Pulitzer Prize in Spot News Photography for photographs of the Philippine Revolution he made while on assignment for the Examiner.

Komenich has photographed the ramifications of conflict in the Philippines, Vietnam, El Salvador, the former Soviet Union and most recently in Iraq, where photos from his three trips to the Sunni Triangle in 2005 earned him the Military Reporters and Editors' Association's 2006 Photography Award for large circulation newspapers.

He has received the 1987 Distinguished Service Award from the Society of Professional Journalists, the 1981 World Press Photo News Picture Story Award, and three National Headliner Awards.

From fall, 1998 to winter, 2000 he was a visiting instructor at the University of Missouri, where he taught the capstone "Picture Story and the Photographic Essay" course. While at Missouri he received the Donald K. Reynolds Graduate Teaching Award. He is a 2005 recipient of the Clifton C. Edom Education Award from the National Press Photographers' Association.

He was a 1993-94 John S.Knight Fellow at Stanford and a fall, 2001 teaching fellow at the Center for Documentary Studies at U.C. Berkeley. He was a 2006-07 Dart Ochberg Fellow at the Dart Center for Journalism and Trauma, based at Columbia University.

In 2007 he received his MA in Journalism from the University of Missouri, where he studied the history and practice of multimedia photojournalism. He is currently an assistant professor for new media studies at San Jose State University. He also teaches short courses in video and multimedia photojournalism at Stanford Continuing Studies.

Links:

From: San José State University


People Directory

Milana Mim Karlo Bizic

Milana ("Mim") Karlo Bizic earned a B.S. degree in three (3) years from the University of Pittsburgh where she had a four-year scholarship; a Master's Degree in 1967; School Library Certification in 1970; and Gifted and Talented Certification in 1981. Her professional experience includes teaching all Elementary grade level students K-6;  Teaching Graduate level courses for Penn State University (Beaver Campus for nine years until 1994), Carlow College and the Allegheny Intermediate Unit, where she taught fellow educators how to creatively integrate computers into their curriculums across all disciplines and all grade levels, K-12; working as a Supervisor of Student Teachers for the University of Pittsburgh (Pitt) after she retired from working 40+ years teaching in the public schools, most notably for Quaker Valley School District.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0