A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Aleksandra Vrebalov

Aleksandra Vrebalov (born September 22, 1970 in Novi Sad, Yugoslavia) is a Serbian composer based in New York City. She studied composition with Miroslav Statkic at Novi Sad University, then with Zoran Erić at Belgrade University, Elinor Armer at the San Francisco Conservatory of Music, and Ivana Loudova at the Prague Academy of Music. She obtained her Doctor of Musical Arts degree from the University of Michigan where she studied with Evan Chambers and Michael Daugherty.

.

A highly regarded musician, she has had residences at the Rockefeller Foundation Bellagio Center, Tanglewood, New York's New Dramatists, MacDowell Colony, and American Opera Projects among others. She has received Awards or Fellowships from the American Academy of Arts and Letters Charles Ives Fellowship, Meet the Composer, Highsmith Composition Competition, Vienna Modern Masters, Serbian Fond for an Open Society, ASCAP Awards, and Douglas Moore Fellowship.

Her early string quartet Pannonia Boundless, evoking eastern European sonorities, has been recorded by the Kronos Quartet on their album Kronos Caravan (1999) and published by Boosey and Hawkes (2007). The Kronos Quartet, with clarinetist David Krakauer, premiered her 40-minute "Babylon, Our Own," commissioned for the 10th anniversary season of the Clarice Smith Performing Arts Center at the University of Maryland in College Park, Maryland, in September 2011.

In her more developed orchestral work Orbits (2002), Vrebalov uses overlapping densities of sonorities and rhythmic proportions such as the Fibonacci series to portray her idiosyncratic post-modern conception of musica universalis.

Her music for the ballet The Widow's Broom (2004) based on Chris Van Allsburg's book has been performed on Halloween by the Festival Ballet Providence.

She has received commissions from Kronos Quartet, Carnegie Hall (co-commission), Barlow Endowment, Festival Ballet Providence, Merkin Concert Hall Zoom Series. Vrebalov is also a co-founder of South Oxford Six, a composers' collective in New York.

In October 2011 her 2-act opera "Mileva," on a libretto by Vida Ognjenović based on her play, was premiered at the Serbian National Theater in Novi Sad, with a repeat performance at the Sava Center in Belgrade as part of the Belgrade Music Festival (BEMUS). The opera was commissioned to mark the 150th anniversary of the Serbian National Theater. The scenario centers on the character of Mileva Marić, the Serbian physicist and mathematician who was Albert Einstein's first wife.

Wikipedia

ПОЛИТИКА ONLINE: Опера о Милеви Ајнштајн


People Directory

Vlade Divac

A first round pick of the Los Angeles Lakers in the 1989 NBA draft, Vlade Divac went on to become one of the first European players to have an impact on the NBA.

In 1985, Vlade Divac was one of 15 young boys from Slovenia, Bosna, Serbia, Montenegro, Croatia and Macedonia that won the gold medal in the University Games. This would prove to be a basketball team that is considered among the best ever assembled. They went on to win a gold medal at the European Junior Championships in 1986, a gold medal at the FIB A World Junior Championships in Bormio, Italy in 1987 (defeating Team USA twice in that tournament), and a silver medal representing Yugoslavia at the 1988 Olympics.

.

Read more ...

Publishing

Notes on ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.

.