A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Larry Vuckovich

Larry Vuckovich was born in Kotor, Montenegro (Former Yugoslavia). He came to San Francisco in 1951 and was immediately exposed to a flourishing jazz scene. After receiving a classical training he became a frequent guest at music clubs like the Blackhawk where he met Vince Guaraldi. Mr. Vuckovich studied jazz piano as Guaraldi's only piano student. At the same time he enrolled in music studies at San Francisco State University, where John Handy was a major influence on the school's jazz program.

Mr. Vuckovich began his professional career in 1959 with tenor saxophonist Brew Moore, accompanying singers David Allyn and Irene Kral. Larry also performed with such instrumentalists like Handy and Monk Montgomery. During the mid sixties, he began a long-term collaboration with a vocalist and lyricist Jon Hendricks, and appeared at major festivals and clubs worldwide, including famous musical stage production Evolution of the Blues.

In the 70s Mr. Vuckovich was most active in Europe. There, he toured with Dexter Gordon and Philly Joe Jones and other famous musicians. Upon his return to San Francisco he became the house pianist at the well-known Keystone Korner until its closing in 1983. In the 1980s Vuckovich lived and performed in New York. There, he appeared at major jazz clubs, including Village Vanguard, Blue Note, Bradley's, Zinno's, and others. During this period of his career he received top reviews from the New York Times, the Village Voice and The New Yorker. The New York Times saw Larry as a truly unique musician who “brings with him an outlook and a collection of influences that set him apart from most pianists who are heard regularly in New York.”

Mr. Vuckovich now lives in Northern California, supported by his family of musicians. He often performs all over the San Francisco Bay Area and was named a “Jazz Ambassador of Good Will” for the newly renovated Lincoln Center premier performing arts center in July of 2008. In 2006 there was a Larry Vuckovich Day in San Francisco on December 8.

More information about Mr. Vuckovich, his remarkable new production and distinguished career is available at: http://larryvuckovich.com/


People Directory

Djordje Nesic

Djordje Stevan Nesic’s pianism has been described as ‘artful‘, ‘assertive‘, ‘sensitive‘ and ‘quietly virtuosic‘, and his career has been highlighted by recital, concerto, chamber, and collaborative performances. During the current season, Mr. Nesic performed live on A Prairie Home Companion with Garrison Keillor, recorded seven newly commissioned American art songs for the Opera America Songbook project, performed in both concert and recital at Greenwich Music Festival’s All Things Stravinsky season; Carnegie Hall in New York City, the Ohana Arts Festival in Honolulu, Cincinnati’s Taft Museum and the Underground Railroad Museum Freedom Center, as well as at the University of Wisconsin and the Next Act Theater in Milwaukee. He was also featured in the PBS broadcast of “This Little Light of Mine” with soprano Adrienne Danrich, which was awarded a midwest Emmy Award in 2011. Among the pianist’s recent Manhattan performances are those at Lincoln Center in its “Meet the Artist” series; Carnegie’s Weill and Zankel halls; the United Nations General Assembly Hall; the River to River Festival; Tribeca’s Ico Gallery; the Trinity Church Wall Street.

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Publishing

Христос – Нова Пасха – Божанствена Литургија

Serbian Edition, author Bishop Athanasius Yevtich (издање на српском језику, аутор епископ Атанасије Јевтић)

Период двадесетог века представљао је врло комплексно раздобље везано за развој литургијско-богословске мисли у нашој помесној Цркви. Осећајући насушну еклисијалну и пастирску потребу да поменуту мисао надгради и истовремено је учини приступачнијом народу Божијем, епископ Атанасије Јевтић се одлучио да понуди тротомно дело под насловом: Христос – Нова Пасха – Божанствена Литургија. Иако се објављивање трећег тома тек очекује, сматрамо да богословској и читалачкој пажњи треба представити два тома који су већ изашли.

Сложени назив овог епохалног издања, које може бити препознато као „српска литургијска стромата двадесет и првог века“, аутор је начинио на основу одељка из Прве Посланице Коринћанима светог апостола Павла: Јер се Пасха наша Христос жртвова за нас (1Кор 5, 7). Дело се састоји из два тома и намењено је, према речима епископа Атанасија, „богобојажљивим и христочежњивим љубитељима Божанских Тајни, усрдним учесницима Свете Литургије и причесницима Богочовечанских Светиња“. Наиме, у њему су сабрани текстови о Светој и Божанственој Евхаристији од најранијих времена Цркве Христове (првог века) све до савременог доба, а сâм циљ јесте „раскривање литургијских, еклисиолошких, космичких и есхатолошких димензија Светајне Христа и Његове Цркве“. Највећи део сабраних литургијско-светоотачких текстова се по први пут појављује на српском језику, благодарећи преводилачком и прегалачком труду епископа Атанасија. Уз то, веома су драгоцени његови оригинални коментари. Треба истаћи да су оба тома штампана са тврдим корицама у штампарији Интерклима Графика у Врњачкој Бањи.

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