A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Matea Prljevic

As a child growing up in Serbia, music was always a part of my life. Starting with the piano I soon became inspired and fell in love with the classical guitar. I was lucky enough to get into a musical high school in Belgrade where I could focus my entire attention into developing into a mature musician. Besides studying music production, that’s when I became aware of composition and more specifically composition for film.

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Sava Vemić

Sava Vemić (born 1987), bass, comes from Belgrade, Serbia. He is a member of The Metropolitan Opera’s Lindemann Young Artist Development Program in the season 2014/2015.

He studied singing in the Music School Mokranjac with prof. Tanja Obrenović and later at the Faculty of Music, University of Arts in Belgrade with prof. Nikola Mijailović. In Mozart’s Magic flute he made his debut as Sarastro at the opera stage of Madlenianum Opera & Theatre in Belgrade. He received scholarships from the International Vocal Arts Institute (IVAI) in 2013 when he sang Bartolo in an IVAI production of Le nozze di Figaro and in July 2014 when he sang Osmin in their production of Die Entführung aus dem Serial in Tel Aviv, Israel. In June 2014 he made his Carnegie Hall debut as Sir Walter Raleigh in Donizetti’s opera Roberto Devereux with The Opera Orchestra of New York led by Mo. Queler. In 2012 he performed at the Esterhazy festival in Haydnsaal, Austria.

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Sofija Knezevic

Born 02.04.1990. in Belgrade, Serbia. Coming from an artistic family Knezevic( famous painters ). After 2 years at the music school `Dr.Vojislav Vuckovic` they transferred her as a very talented young student to the school `Mokranjac`where she graduated in the class of professor Jasna Vukasovic at the Classical Piano Performance department,as well as the department for Theory in Music in the class of Professor Radmila Starcevic. Since she was always interested in Jazz, together with graduating at those two departments in Mokranjac she was attending another high school program at the Jazz Singing department in `Stankovic`. She was awarded the title of The Best Pianist among all the candidates from countries of Eastern Europe when she finished the exams for the final year of regular elementary school in ahead of schedule – in one month total – because she has enrolled secondary music school "Mokranjac" in the previous year. That`s why she was already 1 year ahead of her class. On the IQ test, and Musical IQ test she was the only one with the above average for the regular IQ, and one of 2 people with above average results for the Musical IQ.

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Oksana Germain

Oksana Germain, age 17, has been studying classical piano for 12 years. Her love of classical music was obvious from a very young age. Eagerly requesting piano lessons at age five, Oksana began learning locally with Mrs. Vera Rathje and Mrs. Yulia Atoyan. At age 13, Oksana was accepted as a student of world-renowned pedagogue and pianist, the late Dr. Vitaly Margulis, professor at UCLA. She continued her piano studies under Professor Margulis' tutelage until his passing in 2011. Since that time, Oksana has been studying with the dedicated and gifted, international pianist, Dr. Sarkis Baltaian of Los Angeles.

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Page 4 of 4

People Directory

Milena Kitić

A star of the Belgrade, Yugoslavia Opera, Milena Kitic made her operatic debut in 1989, as Olga in Tchaikovsky's "Eugene Onegin." She performed at the National Theater in Belgrade for 8 years in a wide range of roles: from Rosina in Rossini's "Il Baribiere di Siviglia", Cherubino in Mozart's "Le Nozze di Figaro", Preziosilla in Verdi's "La Forza del destino", Fenena in "Nabucco'', to the title role of Carmen and Principessa de Buillon in Cilea's "Adiana Lecouvreur."

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Publishing

The One and the Many

Studies of God, Man, the Church, and the World today

by Metropolitan John D. Zizioulas

This volume offers a collection of Zizioulas articles which have appeared mostly in English, and which present his trinianatarian doctrine of God, as well as his theological account of the Church as the place in which freedom and communion are actualized. The title, The One and the Many, suggests the idea of a profound relationship that exists between the Persons in the Holy Trinity, between Christ and the Church, between one Catholic Church and many catholic Churches. On each of these levels of communion, each one is called to receive from one another and indeed to receive one another. And while this is understandable at the Triadological and Christological levels, it raises all sorts of fundamental ecclesiological questions, since the highest point of unity in this context is both the mutual ecclesial-eucharistic recognition and agreement on doctrine and canonical-eccelesiological organization.

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