A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Natalija Nogulich

NATALIJA NOGULICH, newly published author of her debut novel, ONE WOMAN’S WAR, just performed in the season finale of NCIS, followed by an episode of Disney’s KICKIN’ IT. She also recently completed Season One of ABC series, RED WIDOW, as Russian mob wife, Elena Petrova. In March, Natalija appeared in HBO’s biopic, PHIL SPECTOR, as Italian journalist, Giovanetta Ricci; on Disney Channel in WIZARDS OF WAVERLY PLACE REUNION starring Ms. Nogulich as Carmela.

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Bojan Bazelli

Bojan Bazelli is a Montenegrin cinematographer and music video director born in Herceg Novi, Montenegro. His credits include the films The Ring, Mr. & Mrs. Smith, and director Adam Shankman's Hairspray, as well as Mariah Carey's music video "Vision of Love". Other feature credits include The Rapture, Deep Cover, King of New York, Kalifornia, and Dangerous Beauty.

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Jasmina Bojić

Jasmina Bojic was born and raised in the former Yugoslavia. She attended law school in that country and soon thereafter became a well-known radio and television reporter.

At Stanford, Jasmina teaches documentary filmmaking with a focus on human rights issues. To that end, ten years ago, in 1997, she created the United Nations Association Film Festival. This Festival is an all-volunteer effort by Jasmina, its founder and executive director, and the student members of the Stanford Film Society. .

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Lolita Davidovich

Lolita Davidovich (Serbian: Лолита Давидовић; born July 15, 1961) is a Canadian film and television actress.

Davidovich was born in London, Ontario, the daughter of immigrants from Yugoslavia. Her father was from Belgrade, the capital of Serbia, and her mother was from Slovenia; she spoke only Serbian during her early years. She studied at the Herbert Berghof Studio in New York.

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Boris Gortinski

Cinematographer and Director

Born in Belgrade. He was educated in Serbia, USA, Poland. Graduated with honors from the Faculty of Dramatic Arts, Cinematography Department, University of Arts, Belgrade, Serbia.

His first feature film, while being the student of the final year, "Live Broadcast", directed by Darko Bajic, was awarded on many domestic and International Film Festivals.

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Željka Cvjetan Gortinski

Željka Cvjetan Gortinski, an actress, is a member of the Society of Dramatic Artists of Serbia and the Afta - SAG Union. 

She earned a Bachelor of Arts in acting, in 1984, at the University of Arts, Belgrade.

During her second year at the University, she started her professional career as an actress in many stage, film, radio and TV productions and became a permanent member of a repertory theater company, “Belgrade Drama Theater.”.

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Mirjana Joković

Mirjana Joković (Serbian Cyrillic: Мирјана Јоковић) (born November 24, 1967) is a Serbian film and stage actress, best known for her role as Natalija Zovkov in Underground, the film of Emir Kusturica (1995). She currently is Director of Performance for Acting and an acting teacher in the Theater Faculty of the California Institute of the Arts near Los Angeles.

Mirjana Jokovic was born in Belgrade, Yugoslavia. She spent her early years in Zambia, where her father was an industrial engineer.

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Page 2 of 5

People Directory

Marina Arsenijević

Marina Arsenijevic (arson-nee-vitch) is the international award-winning pianist and composer, star of the Emmy-nominated Public Television program, “Marina at West Point: Unity through Diversity” which has been broadcast to more than 160 Million viewers with over 350 airings by PBS Stations all across the country. Marina created the program and performed with the 120 member joint ensemble of the West Point Band and West Point Cadet Glee Club. The Concert was recorded LIVE at West Point’s historic Eisenhower Hall and will be broadcast all across the country through 2014.

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Publishing

Knowing the Purpose of Creation through the Resurrection

Proceedings of the Symposium on St. Maximus the Confessor

The present volume is a collection of presentations delivered at the St Maximus the Confessor International Symposium held in Belgrade at the University of Belgrade from 18 to 21 October 2012. The Belgrade Symposium brought together the following speakers: Demetrios Bathrellos, Grigory Benevitch, Calinic Berger, Paul Blowers, David Bradshaw, Adam Cooper, Brian Daley, Paul Gavrilyuk, Atanasije Jevtić, Joshua Lollar, Andrew Louth, John Panteleimon Manoussakis, Maximos of Simonopetra, Ignatije Midić, Pascal Mueller-Jourdan, Alexei Nesteruk, Aristotle Papanikolaou, George Parsenios, Philipp Gabriel Renczes, Nino Sakvarelidze, Torstein Tollefsen, George Varvatsoulias, Maxim Vasiljević, Christos Yannaras, and John Zizioulas. The papers and discussions in this volume of the proceedings of the Belgrade Symposium amply attest to the reputation of Saint Maximus the Confessor as the most universal spirit of the seventh century, and perhaps the greatest thinker of the Church. Twenty eight studies have been gathered in the present volume, which is organized into eight chapters, each of them corresponding to the proceedings of the Symposium, all of which are of intense interest and importance. Chapter One brings to light new evidence regarding the sources, influences, and appropriations of St Maximus’ teaching. His mediatorial role as one of the few genuinely ecumenical theologians of the patristic era is acknowledged and affirmed. Chapter Two offers some crucial clarifications on the relationship between person, nature, and freedom. In Chapter Three we find substantial discussion on body, pathos, love, eros, etc. New interpretive paradigms and insights are proposed in Chapter Four, while the next chapter presents the Confessor’s cosmological perspective in light of modern scientific discoveries. Some important ontological and ecclesiological issues are discussed in Chapter Six, while in Chapter Seven we are able to see what contemporary synthesis is possible through St Maximus’ thought. Chapter Eight offers further readings by engaging younger scholars who did not present their papers at the conference but whose studies were accepted by the organizers. In the final paper we find an important overview of the Symposium with a description of the conference’s flow. In an age of plurality and division, it is particularly important to know what our Tradition—shaped by the Fathers—can teach us. In any such endeavor, Saint Maximus the Confessor stands out as the most important theologian of the so-called Byzantine period. Yet his theology, assimilated and incorporated by Tradition, has relevance beyond any single historical period; in fact, the Confessor’s efforts to mediate between East and West distinguish his work as vital for contemporary theological discourse.