A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Miloš Velimirović

Miloš Milorad Velimirović (December 10, 1922 – April 18, 2008) was an American musicologist. Twice a recipient of a Fulbright fellowship, he was considered an international expert in the areas of Byzantine music, the history of Slavonic music, and the history of Italian opera in the 18th century.

Velimirović was born in Belgrade, Serbia, to Milorad and Desanka (Jovanović) Velimirović, a physician and a piano teacher respectively. In his boyhood in Serbia, he learned to play the violin and piano. He was gifted with the ability to learn multiple languages, in addition to a lifelong passion for music. During his adolescent years he studied music history and music theory. Velimirović began a program of studies in music history at the University of Belgrade, also studying violin and piano at the conservatory. In 1941, with the invasion of the Axis powers, the university was closed, and Velimirović's studies there were suspended until after the war.

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Larry Vuckovich

Larry Vuckovich was born in Kotor, Montenegro (Former Yugoslavia). He came to San Francisco in 1951 and was immediately exposed to a flourishing jazz scene. After receiving a classical training he became a frequent guest at music clubs like the Blackhawk where he met Vince Guaraldi. Mr. Vuckovich studied jazz piano as Guaraldi's only piano student. At the same time he enrolled in music studies at San Francisco State University, where John Handy was a major influence on the school's jazz program.

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Savatije Sava Ljubicic

Savatije Sava Ljubicic [Savatije Sava Ljubičić, Саватије Сава Љубичић], highly acclaimed Yugoslav composer, was born in 1931, in Cacak, Serbia. He comes from a well known family of musicians with Savatije Ljubicic being the only family member to be a composer. His first musical training began at the age of three when he was at his father’s music school. While listening to the Serbian country songs and dances, he was taught how to play the accordion. His father Miloje Ljubicic, also known as one of Serbia’s best flute builders, opened the music school in Cacak in order to teach farmers’ young children how to be able to play, appreciate and enjoy the Serbian country music its rich folklore The school was opened in 1933, the year when Ljubicic’s father as a singer and accordion player wins the highest award given to outstanding vocalists and musicians in former Yugoslavia.

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Vuk Kulenović

Vuk Kulenovic (born 1946) is a contemporary composer and teacher based in Boston, Massachusetts. He teaches counterpoint, orchestration and directed study at Berklee College of Music. He actively composes and has commissions from around the world. His influences are wide-tanging, including jazz, Indian ragas, Balkan folk music, rock and many other contemporary styles. He has written over 100 works for symphony orchestra, solo instruments, chamber ensembles, choral and vocal pieces, ballet, and scores for film and stage music.

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Momčilo Moma Nikolić

Momo was born in the ancient city of Novi Sad in Vojvodina, a multi-cultural province of the former Yugoslavia. The rich heritage of his upbringing instilled in him a love of Slavic and classical music. Momo studied music at the music school "Isidor Bajic" in Novi Sad. He is an extremely gifted musician, who plays many stringed instruments. Momo plays the Prim Tamburitza, and is known to be a master of this instrument. He was a member of the great Tamburitza orchestra of RTV-Novi Sad (1970-1990) as instrumental soloist. He is best known in performing with the legendary Janika Balaz Orchestra "8 Tamburitza of Petrovaradin."

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Miroslav Tadić

Guitarist, composer and improviser Miroslav Tadic completed his formal music education in the United States after studying in Italy and his native Yugoslavia.

He has performed and recorded in a wide variety of settings and musical styles, ranging from music of the Baroque and Classical periods to Blues, Jazz, and Rock.

Tadic's performing and recording credits include projects with Mark Nauseef, The Los Angeles Opera with Placido Domingo, Howard Levy, Joachim Kühn, L. Shankar, Markus Stockhausen, Dusan Bogdanovic, Vlatko Stefanovski, Teofilovic Brothers, Wadada Leo Smith, David Torn, Maria João, Jack Bruce, The Grande Mothers, Theodosii Spassov, Kudsi Erguner, Djivan Gasparyan, Pandit Swapan Chaudhuri and Ustad Ashish Khan, among others.

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Zora Mihailovich

Zora Mihailovich is an Artist-in-Residence at the University of Rochester. She did her undergraduate through postgraduate studies at Belgrade School of Music and Academia di Musica "Santa Cecilia" Rome (Italy). She has studied with Carlo Zecchi, Arturo Benedetti Michelangelli and Daniel Pollack. She made her debut with the Belgrade Philharmonic Orchestra at age sixteen. Ms. Mihailovich has given performances in major music centers in North America and Europe including London's Wigmore Hall, New York's Carnegie Hall, London's Royal Festival Hall, Washington's DAR Constitution Hall, Amsterdam Concertgebouw, Warsaw's Philharmonic Hall, and Brussel's Conservatoire Royal, among others..
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Nikola Resanovic

Nikola Resanovic (born 1955) is an American composer and professor of music. He is the winner of the 2003 Cleveland Arts Prize in Music and is one of Ohio's best known living composers.

In 1955, he was born in Derby, England. Resanovic moved to the United States where he has been a naturalized citizen since 1976. He holds degrees from the University of Akron and the Cleveland Institute of Music. He is currently a Professor of Music and the University of Akron.

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People Directory

Vladimir Kulenović

Following the completion of his post-graduate conducting studies at the Juilliard School, Vladimir Kulenovic was named Associate Conductor of Utah Symphony | Utah Opera in the U.S., Principal Conductor of the Kyoto International Music Festival in Japan and Resident Conductor of the Belgrade Philharmonic Orchestra in Serbia. His recent guest conducting engagements included collaborations with renowned orchestras in the US, Europe in Asia, as well as illustrious soloists including Leon Fleisher, Mischa Maisky, Akiko Suwanai, Joseph Silverstein and Augustin Hadelich, to name but a few.

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Publishing

Notes On Ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.