A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Miroslav Tadić

Guitarist, composer and improviser Miroslav Tadic completed his formal music education in the United States after studying in Italy and his native Yugoslavia.

He has performed and recorded in a wide variety of settings and musical styles, ranging from music of the Baroque and Classical periods to Blues, Jazz, and Rock.

Tadic's performing and recording credits include projects with Mark Nauseef, The Los Angeles Opera with Placido Domingo, Howard Levy, Joachim Kühn, L. Shankar, Markus Stockhausen, Dusan Bogdanovic, Vlatko Stefanovski, Teofilovic Brothers, Wadada Leo Smith, David Torn, Maria João, Jack Bruce, The Grande Mothers, Theodosii Spassov, Kudsi Erguner, Djivan Gasparyan, Pandit Swapan Chaudhuri and Ustad Ashish Khan, among others.

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Tadic has recorded worldwide and his music can be heard on CMP Records, M–A Recordings, Third Ear, Avalon, Croatia Records, ENJA, Nine Winds and Sony/BMG. He performs regularly in Europe, North and South America and Japan.

In recent years Tadic has concentrated on developing an approach to improvisation which combines and juxtaposes musical material drawn from many diverse sources, including Baroque, European classical and North Indian classical music, Flamenco, Eastern European folk traditions, Blues, Jazz, and Rock. He is noted for his pioneering work in applying the elements of classical and flamenco techniques to the electric guitar.

He has composed solo and chamber music which is published by Les Editions Doberman-Yppan. Tadic has written music for numerous experimental film, dance and theatre works and most recently completed music for Croatian feature film “Seventy Two Days” by Danilo Serbedzija.

Since 1985 he has been a professor at the prestigious California Institute of the Arts in Los Angeles.

Official website

For more thorough and detailed information on Miroslav Tadic, please check out these excellent interviews:

Videos:

Solo

With Vlatko Stefanovski

With Vlatko Stefanovski and Theodosii Spassov

With Vlatko Stefanovski, Theodosii Spassov and Swapan Chaudhuri

With Howard Levy

With Howard Levy and Mark Nauseef

http://www.youtube.com/watch?v=r6a8oTGX_cY&feature=related

With the Grande Mothers

With Rade Serbedzija


People Directory

Spasoje M. Neskovic

Dr Neskovic was born in Belgrade, Serbia, on February 12, 1953, in a farmer's family, and he was supposed to continue farming the same way his father, grandfather and grandfather did. But, from may be age 3 he wanted to become a physician or maybe a Serbian priest, but that desire to become a physician was so strong that he never deviated from his original idea which became his lifelong passion and his calling. He remembers clearly when he put on that white coat as a medical student in Belgrade University in 1971, and he still has that real and a very distinct feeling which is hard to explain, and he has that feeling every single time when he puts on his white coat.

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Publishing

Notes On Ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.