A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Vladimir Kulenović

Following the completion of his post-graduate conducting studies at the Juilliard School, Vladimir Kulenovic was named Associate Conductor of Utah Symphony | Utah Opera in the U.S., Principal Conductor of the Kyoto International Music Festival in Japan and Resident Conductor of the Belgrade Philharmonic Orchestra in Serbia. His recent guest conducting engagements included collaborations with renowned orchestras in the US, Europe in Asia, as well as illustrious soloists including Leon Fleisher, Mischa Maisky, Akiko Suwanai, Joseph Silverstein and Augustin Hadelich, to name but a few.

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Djordje Nesic

Djordje Stevan Nesic’s pianism has been described as ‘artful‘, ‘assertive‘, ‘sensitive‘ and ‘quietly virtuosic‘, and his career has been highlighted by recital, concerto, chamber, and collaborative performances. During the current season, Mr. Nesic performed live on A Prairie Home Companion with Garrison Keillor, recorded seven newly commissioned American art songs for the Opera America Songbook project, performed in both concert and recital at Greenwich Music Festival’s All Things Stravinsky season; Carnegie Hall in New York City, the Ohana Arts Festival in Honolulu, Cincinnati’s Taft Museum and the Underground Railroad Museum Freedom Center, as well as at the University of Wisconsin and the Next Act Theater in Milwaukee. He was also featured in the PBS broadcast of “This Little Light of Mine” with soprano Adrienne Danrich, which was awarded a midwest Emmy Award in 2011. Among the pianist’s recent Manhattan performances are those at Lincoln Center in its “Meet the Artist” series; Carnegie’s Weill and Zankel halls; the United Nations General Assembly Hall; the River to River Festival; Tribeca’s Ico Gallery; the Trinity Church Wall Street.

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Dimitrije Vasiljević

Dimitrije Vasiljević is a New York-based award-winning pianist and composer who has been hailed by jazz masters as one of the most promising names in the jazz world. His is a new voice combining the gentle flavor of European jazz with intricate musical landscapes full of exotic rhythms and sophisticated harmony. This multi-talented pianist is today among the most exciting new artists on the NYC jazz scene.

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Ana Popovic

2013
Ana is invited to play the prestigious New Orleans Jazz Fest where she introduces her new project; a nine-piece power blues and funk machine under the name Ana Popovic & Mo' Better Love. With AP & Mo' Better Love, Ana fronts a musical collaboration with Tony Coleman (drummer BB King) and John Williams on bass (Al Green), adding rhythm guitar, keys, a horn section and background singers. On April 16th follows the world wide release of 'Can You Stand The Heat', Ana's ninth full-length album. The daring release features guest performances of Grammy Award winner Tommy Sims and Grammy Award nominee Lucky Peterson.

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Tatjana Rankovich

Described by The New York Times as an "astonishingly good pianist", Tatjana Rankovich is committed to continuously expanding the boundaries of the traditional repertoire, constantly searching for and discovering new contemporary music and devoting her interest to performing rarely heard works of the past. An innate instinct to create a spectrum of different styles, old and new, known and unknown, is the very essence of her as an artist and it takes place with every one of her concerts.

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Marina Arsenijević

Marina Arsenijevic (arson-nee-vitch) is the international award-winning pianist and composer, star of the Emmy-nominated Public Television program, “Marina at West Point: Unity through Diversity” which has been broadcast to more than 160 Million viewers with over 350 airings by PBS Stations all across the country. Marina created the program and performed with the 120 member joint ensemble of the West Point Band and West Point Cadet Glee Club. The Concert was recorded LIVE at West Point’s historic Eisenhower Hall and will be broadcast all across the country through 2014.

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Ivana Kotov

Ivana Kotov is a multi-oriented vocalist, musician, writer and producer. Winning the highest talent scholarship award, Ivana attended prestigious Berklee College of Music in Boston, USA - majoring in Contemporary Songwriting and Performance.

Over the years, Ivana has been performing as a lead singer, choir director and vocal arranger, contributing her artistry on tours, seminars and music projects around the world.

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John Alexander Vidović

John Vidovic is a young musician and composer whose talents, work with students, and presence in various musical circles have already created a significant community impact. Mr. Vidovic specializes in classical guitar, music theory and composition. He has been playing guitar for 13 years and has accumulated 11 years of experience as a self-taught pianist.

John studied guitar with Michael McChesney and Barrios scholar Richard Stover, as well as voice with Christopher Bengochea. He graduated from UCLA with a BA in music composition. As a composer, he has 9 years of experience in composition ranging from solo works to large ensembles, including chorus, wind ensemble and orchestra. He has also conducted original choral composition under the direction of Maestro Donald Neuen with the UCLA Chamber Singers in Royce Hall in June 2011. Mr. Vidovic composed choral works for the West Valley College Chamber singers performed at the Finale concerts in May 2009 and December 2011. His main influences include music from Latin America, Romantic era music, and folk music from Eastern Europe.

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Page 3 of 4

People Directory

Milo Radulovich

Milo John Radulovich (October 28, 1926 – November 19, 2007) was an American citizen (born in Detroit) of Serbian descent and former reserve Air Force lieutenant who was accused of being a security risk for maintaining a "close and continuing relationship" with his father and sister, in violation of Air Force regulation 35-62. His case was publicized nationally by Edward Murrow on October 20, 1953, on Murrow's program, See It Now:

“That [Air Force regulation 35-62] is a regulation which states that 'A man may be regarded as a security risk if he has close and continuing associations with communists or people believed to have communist sympathies.' Lieutenant Radulovich was asked to resign in August. He declined. A board was called and heard his case. At the end, it was recommended that he be severed from the Air Force. Although it was also stated that there was no question whatever as to the Lieutenant's loyalty.—Edward R. Murrow”

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Publishing

Knowing the Purpose of Creation through the Resurrection

Proceedings of the Symposium on St. Maximus the Confessor

The present volume is a collection of presentations delivered at the St Maximus the Confessor International Symposium held in Belgrade at the University of Belgrade from 18 to 21 October 2012. The Belgrade Symposium brought together the following speakers: Demetrios Bathrellos, Grigory Benevitch, Calinic Berger, Paul Blowers, David Bradshaw, Adam Cooper, Brian Daley, Paul Gavrilyuk, Atanasije Jevtić, Joshua Lollar, Andrew Louth, John Panteleimon Manoussakis, Maximos of Simonopetra, Ignatije Midić, Pascal Mueller-Jourdan, Alexei Nesteruk, Aristotle Papanikolaou, George Parsenios, Philipp Gabriel Renczes, Nino Sakvarelidze, Torstein Tollefsen, George Varvatsoulias, Maxim Vasiljević, Christos Yannaras, and John Zizioulas. The papers and discussions in this volume of the proceedings of the Belgrade Symposium amply attest to the reputation of Saint Maximus the Confessor as the most universal spirit of the seventh century, and perhaps the greatest thinker of the Church. Twenty eight studies have been gathered in the present volume, which is organized into eight chapters, each of them corresponding to the proceedings of the Symposium, all of which are of intense interest and importance. Chapter One brings to light new evidence regarding the sources, influences, and appropriations of St Maximus’ teaching. His mediatorial role as one of the few genuinely ecumenical theologians of the patristic era is acknowledged and affirmed. Chapter Two offers some crucial clarifications on the relationship between person, nature, and freedom. In Chapter Three we find substantial discussion on body, pathos, love, eros, etc. New interpretive paradigms and insights are proposed in Chapter Four, while the next chapter presents the Confessor’s cosmological perspective in light of modern scientific discoveries. Some important ontological and ecclesiological issues are discussed in Chapter Six, while in Chapter Seven we are able to see what contemporary synthesis is possible through St Maximus’ thought. Chapter Eight offers further readings by engaging younger scholars who did not present their papers at the conference but whose studies were accepted by the organizers. In the final paper we find an important overview of the Symposium with a description of the conference’s flow. In an age of plurality and division, it is particularly important to know what our Tradition—shaped by the Fathers—can teach us. In any such endeavor, Saint Maximus the Confessor stands out as the most important theologian of the so-called Byzantine period. Yet his theology, assimilated and incorporated by Tradition, has relevance beyond any single historical period; in fact, the Confessor’s efforts to mediate between East and West distinguish his work as vital for contemporary theological discourse.