A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Matea Prljevic

As a child growing up in Serbia, music was always a part of my life. Starting with the piano I soon became inspired and fell in love with the classical guitar. I was lucky enough to get into a musical high school in Belgrade where I could focus my entire attention into developing into a mature musician. Besides studying music production, that’s when I became aware of composition and more specifically composition for film.

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Тијана Богићевић

Тијана Богићевић (Нови Сад, 1. новембар 1981) српска је поп и соул певачица. Представља Србију на Песми Евровизије 2017.

Још од раног детињства, Тијана је показивала изузетну склоност ка музици, касније је одредивши као свој животни пут. Као дете је певала на школским приредбама, а док је похађала средњу школу, била је члан хип хоп и денс групе Chess, са којом је снимила неколико демо песама. Почетком своје професионалне музичке каријере сматра 2001. годину, када је упознала Владу Георгиева и почела да наступа са његовим бендом као пратећи вокал.

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Sava Vemić

Sava Vemić (born 1987), bass, comes from Belgrade, Serbia. He is a member of The Metropolitan Opera’s Lindemann Young Artist Development Program in the season 2014/2015.

He studied singing in the Music School Mokranjac with prof. Tanja Obrenović and later at the Faculty of Music, University of Arts in Belgrade with prof. Nikola Mijailović. In Mozart’s Magic flute he made his debut as Sarastro at the opera stage of Madlenianum Opera & Theatre in Belgrade. He received scholarships from the International Vocal Arts Institute (IVAI) in 2013 when he sang Bartolo in an IVAI production of Le nozze di Figaro and in July 2014 when he sang Osmin in their production of Die Entführung aus dem Serial in Tel Aviv, Israel. In June 2014 he made his Carnegie Hall debut as Sir Walter Raleigh in Donizetti’s opera Roberto Devereux with The Opera Orchestra of New York led by Mo. Queler. In 2012 he performed at the Esterhazy festival in Haydnsaal, Austria.

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Sofija Knezevic

Born 02.04.1990. in Belgrade, Serbia. Coming from an artistic family Knezevic( famous painters ). After 2 years at the music school `Dr.Vojislav Vuckovic` they transferred her as a very talented young student to the school `Mokranjac`where she graduated in the class of professor Jasna Vukasovic at the Classical Piano Performance department,as well as the department for Theory in Music in the class of Professor Radmila Starcevic. Since she was always interested in Jazz, together with graduating at those two departments in Mokranjac she was attending another high school program at the Jazz Singing department in `Stankovic`. She was awarded the title of The Best Pianist among all the candidates from countries of Eastern Europe when she finished the exams for the final year of regular elementary school in ahead of schedule – in one month total – because she has enrolled secondary music school "Mokranjac" in the previous year. That`s why she was already 1 year ahead of her class. On the IQ test, and Musical IQ test she was the only one with the above average for the regular IQ, and one of 2 people with above average results for the Musical IQ.

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Aleksandra Denda

Aleksandra Denda is an internationally recognized, New York-based music artist.

Over the span of years, she’s been performing and recording throughout USA, Europe, Asia and South America, as a leader and as featured artist in the wide array of musical genres, spanning from Soul to World Music, Brazilian, R&B, and Jazz.

Some of these projects include performances with American Idol's Michael Lynche (aka Big Mike) as his background vocalist, recording with the flamenco star Jose Merce on the Latin Grammy nominated album Mi Unica Llave, and co-founding ROSA the international traditional Serbian all-female a cappella group endorsed by NY Folklore Society.

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Oksana Germain

Oksana Germain, age 17, has been studying classical piano for 12 years. Her love of classical music was obvious from a very young age. Eagerly requesting piano lessons at age five, Oksana began learning locally with Mrs. Vera Rathje and Mrs. Yulia Atoyan. At age 13, Oksana was accepted as a student of world-renowned pedagogue and pianist, the late Dr. Vitaly Margulis, professor at UCLA. She continued her piano studies under Professor Margulis' tutelage until his passing in 2011. Since that time, Oksana has been studying with the dedicated and gifted, international pianist, Dr. Sarkis Baltaian of Los Angeles.

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People Directory

Nenad Vukićević

Born: Jagodina, Serbia. Education: Graduated from University of Belgrade, Electrical Engineering. Emigrated to USA in 1984. Provides consulting and software development services in the area of embedded systems, systems software, and communications. President of the Serbian Unity Congress 2002-2005, former President of the local Serbian church Board in Saratoga for many years and provides web and Internet support for SUC. President, founder and creator of the Serbian Blago Fund. Married with three children, and resides in Los Altos, California.

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Publishing

Jesus Christ Is The Same Yesterday Today And Unto the Ages

In this latest and, in every respect, meaningful study, Bishop Athanasius, in the manner of the Holy Fathers, and firmly relying upon the Apostles John and Paul, argues that the Old Testament name of God, “YHWH,” a revealed to Moses at Sinai, was translated by both Apostles (both being Hebrews) into the language of the New Testament in a completely original and articulate manner.  In this sense, they do not follow the Septuagint, in which the name, “YHWH,” appears together with the phrase “the one who is”, a word which is, in a certain sense, a philosophical-ontological translation (that term would undoubtedly become significant for the conversion of the Greeks in the Gospels).  The two Apostles, rather, translate this in a providential, historical-eschatological, i.e. in a specifically Christological sense.  Thus, John carries the word “YHWH” over with “the One Who Is, Who was and Who is to Come” (Rev. 1:8 & 22…), while for Paul “Jesus Christ is the Same Yesterday, Today and Unto the Ages” (Heb. 13:8).