A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Art and Reality: Serbian Perspectives

Art and Reality: Serbian Perspectives
Friday, May 1, 2015, 6:00 pm
Marshall D. Shulman Seminar Room (1219 IAB, 420 W 118th St.)

Please join the East Central European Center and the Harriman Institute for a talk by Svetlana Rakić.

Rakić will present some of the most recent trends in Serbian two-dimensional art. Selected examples testify to the diversity, vibrancy, and beauty of art produced in this troubled country during the turbulent past two decades. Having witnessed their former country, Yugoslavia, torn apart by civil war, and their ‘new’ country, Serbia, crippled by NATO bombings, political intrigues, corruption, staggering unemployment, and bleak prospects for recovery, these artists have turned to the creative potential of the human imagination to escape, confront, and comment on a situation over which they have no control. Despite the specificity of the conditions under which Serbian artists live and work, their works of art – poignant, inspiring, humorous, or despairing – touch a responsive chord in the viewer that attests to their success at achieving an expression that is both universal and human.

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Svetlana Rakić was born in Sarajevo (now Bosnia-Herzegovina) in 1958. She left her home country, Yugoslavia, in 1992 to come to the U.S. She received her M.A. in art history from the University of Belgrade, Serbia, in 1989 and her Ph.D. in art history from Indiana University, Bloomington in 1999. She teaches art and art history as a full professor at Franklin College, Indiana. Rakić is the author of two books on icons from Bosnia-Herzegovina, a book on the twentieth-century American painter Alexander Markovich, and numerous articles published in academic journals in Yugoslavia, Serbia, and the United States. Before coming to the U.S., Rakić worked as a curator at the State Art Gallery of Bosnia-Herzegovina in Sarajevo and as a consultant at the Institute for Preservation of Cultural Heritage of Bosnia-Herzegovina in Sarajevo. In addition to her interest in pre-modern and modern Western art, Rakić is a painter and has exhibited her works in the U.S., Germany, and Serbia.  

Sponsored by the Njegos Endowment for Serbian Language and Culture.


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Katarina Miljković

Composer Katarina Miljkovic investigates interaction between science, music and nature through collaborative musical performance. This interest led her to the mathematician Benoit Mandelbrot's essay The Fractal Geometry of Nature and self-similar complex structures resulting in the cycle, Forest, “…a dreamy piece, along the lines of Feldman or Brown, entirely captivating (Signal to Noise). Her generative music has been described as a refined, hypnotic dream (Danas) a work of musical and visual slow-motion with only a few delicately elaborated musical metaphors (Radio Belgrade), "ambient tone poem... that moved hypnotically through the sonic frame" (Lucid Culture).

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Publishing

Prayer Book

The Serbian Orthodox Diocese of Western America is pleased to announce the publication of a beautiful pocket-size, full-color, English-language Prayer Book, which has been compiled and designed by our newly enthroned His Grace, Bishop Maxim, and printed in Serbia. The book contains prayers commonly used by Orthodox Christians, lists of Scriptural Commandments, and brief articles on the precepts of Faith, proper conduct in church, and the meaning and practice of prayer. It is adorned with striking icons and illustrations by Fr. Stamatis Skliris, a parish priest in Athens who is renowned as an iconographer and as a writer and lecturer on Byzantine iconography. Full-color on coated stock throughout, 36 pages, 3¾" × 5½" format, paperback, saddle-stitched.