A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

John Miljan

John Miljan (Serbian: Јован Миљановић; November 9, 1892 – January 24, 1960) was an American actor of Serbian origin. He appeared in 201 films between 1924 and 1958. He was the tall, smooth-talking villain in Hollywood films for almost four decades, beginning in 1923. He made his first talking debut in 1927 in the promotional trailer for The Jazz Musician inviting audiences to see the upcoming landmark film. In later years he played imposing, authoritative parts such as high-ranking executives and military officers. He is best remembered as General Custer in Cecil B. De Mille's epic The Plainsman.

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He died from cancer in Hollywood, Los Angeles. He was married to Victoire Lowe and adopted her two sons from her first marriage to Creighton Hale, the actor.

Selected filmography:

  • The Lone Chance (1924)
  • Silent Sanderson (1925)
  • The Devil's Circus (1926)
  • The Little Snob (1928)
  • The Unholy Night (1929)
  • Hardboiled Rose (1929)
  • The Woman Racket (1930)
  • The Unholy Three (1930)
  • The Sea Bat (1930)
  • Iron Man (1931)
  • Arsène Lupin (1932)
  • The Rich Are Always with Us (1932)
  • Whistling in the Dark (1933)
  • What! No Beer? (1933)
  • Young and Beautiful (1934)
  • The Ghost Walks (1934)
  • Charlie Chan in Paris (1935)
  • Mississippi (1935)
  • Tomorrow's Youth (1935)
  • Private Number (1936)
  • The Oklahoma Kid (1939)
  • Emergency Squad (1940)
  • Women Without Names (1940)
  • Obliging Young Lady (1942)
  • The Fallen Sparrow (1943)
  • I Accuse My Parents (1944)
  • The Merry Monahans (1944)
  • Back to Bataan (1945, uncredited)
  • Stampede (1949)
  • Samson and Delilah (1949) - Lesh Lakish
  • The Ten Commandments (1956) - The Blind One
  • The Lone Ranger and the Lost City of Gold (1958) - Chief Tomache
  • Dead Men Don't Wear Plaid (1982 - archive footage)

Links:


People Directory

Nick Vujicic

Nicholas James Vujicic (/ˈvɔɪtʃɪtʃ/ voy-chich; Serbian: Николас Џејмс Вујичић, Nikolas Džejms Vujičić; born 4 December 1982) is a Serbian Australian evangelist and motivational speaker born with tetra-amelia syndrome, a rare disorder characterised by the absence of all four limbs. As a child, he struggled mentally and emotionally as well as physically, but eventually came to terms with his disability and, at the age of seventeen, started his own non-profit organisation, Life Without Limbs. Vujicic presents motivational speeches worldwide, on life with a disability, hope and finding meaning in life. He also speaks about his belief that God can use any willing heart to do his work and that God is big enough to overcome any and all disabilities.

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Read more ...

Publishing

Knowing the Purpose of Creation through the Resurrection

Proceedings of the Symposium on St. Maximus the Confessor

The present volume is a collection of presentations delivered at the St Maximus the Confessor International Symposium held in Belgrade at the University of Belgrade from 18 to 21 October 2012. The Belgrade Symposium brought together the following speakers: Demetrios Bathrellos, Grigory Benevitch, Calinic Berger, Paul Blowers, David Bradshaw, Adam Cooper, Brian Daley, Paul Gavrilyuk, Atanasije Jevtić, Joshua Lollar, Andrew Louth, John Panteleimon Manoussakis, Maximos of Simonopetra, Ignatije Midić, Pascal Mueller-Jourdan, Alexei Nesteruk, Aristotle Papanikolaou, George Parsenios, Philipp Gabriel Renczes, Nino Sakvarelidze, Torstein Tollefsen, George Varvatsoulias, Maxim Vasiljević, Christos Yannaras, and John Zizioulas. The papers and discussions in this volume of the proceedings of the Belgrade Symposium amply attest to the reputation of Saint Maximus the Confessor as the most universal spirit of the seventh century, and perhaps the greatest thinker of the Church. Twenty eight studies have been gathered in the present volume, which is organized into eight chapters, each of them corresponding to the proceedings of the Symposium, all of which are of intense interest and importance. Chapter One brings to light new evidence regarding the sources, influences, and appropriations of St Maximus’ teaching. His mediatorial role as one of the few genuinely ecumenical theologians of the patristic era is acknowledged and affirmed. Chapter Two offers some crucial clarifications on the relationship between person, nature, and freedom. In Chapter Three we find substantial discussion on body, pathos, love, eros, etc. New interpretive paradigms and insights are proposed in Chapter Four, while the next chapter presents the Confessor’s cosmological perspective in light of modern scientific discoveries. Some important ontological and ecclesiological issues are discussed in Chapter Six, while in Chapter Seven we are able to see what contemporary synthesis is possible through St Maximus’ thought. Chapter Eight offers further readings by engaging younger scholars who did not present their papers at the conference but whose studies were accepted by the organizers. In the final paper we find an important overview of the Symposium with a description of the conference’s flow. In an age of plurality and division, it is particularly important to know what our Tradition—shaped by the Fathers—can teach us. In any such endeavor, Saint Maximus the Confessor stands out as the most important theologian of the so-called Byzantine period. Yet his theology, assimilated and incorporated by Tradition, has relevance beyond any single historical period; in fact, the Confessor’s efforts to mediate between East and West distinguish his work as vital for contemporary theological discourse.