A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Tesla: The Musical

Tesla: The Musical is a full-length, all-original rock opera about the life, mind, and legacy of turn-of-the-century inventor Nikola Tesla.

On July 10th, 1856, a boy was born at midnight during a lightning storm in present-day Croatia. Twenty-eight years later, he would come to America with virtually nothing but his education and a mind unlike any other. He would change the world forever with alternating current – the form of electricity we use to this day. He would go toe-to-toe with Thomas Edison, one of the most powerful men on the planet, who did everything he could to get in his way. He would suffer from mental illness in a time before proper diagnosis and treatment were available. He would be admired by scores of women but would never marry or have children, as he feared they would distract him from his work. He would fail at just as many endeavors as he succeeded at. Because he took no royalties for his AC patents, ensuring that safe, cheap electricity would reach every corner of the globe, he would die broke, alone, and insane. After his death he would be largely forgotten as he left behind no companies or children.

His name was Nikola Tesla. This is his story – the man, the myth, the musical.

Interview: Tesla Musical in making: Teslians Aaron Guzzo and Miroslav Vejnovic about musical in making

Production Team: Aaron Guzzo, composer, musical director, and screenwriter, and Craig Hissong, lyricist


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People Directory

Tomislav Z. Longinović

Professor of Slavic, Comparative Literature and Visual Culture
University of Wisconsin-Madison
1452 Van Hise
1220 Linden Dr
Madison, WI 53706
608-262-4311
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Born and raised in Belgrade, Longinovic holds degrees in creative writing, psychology and has his Ph.D in comparative literature.

His books include Borderline Culture (1993), Vampires Like Us (2005), the co-edited and co-translated volume, with Daniel Weissbort: Red Knight: Serbian Women Songs (1992), and the edited volume: David Albahari, Words are Something Else (1996). He is also the author of several works of fiction, both in Serbian (Sama Amerika, 1995) and English (Moment of Silence, 1990).

His most recent book, Vampire Nation: Violence as Cultural Imaginary, was published by Duke University Press in 2011. His research interests include South Slavic literatures and cultures; the Serbian language; literary theory; Central and East European literary history; comparative Slavic studies, translation studies, and cultural studies.

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Publishing

Holy Emperor Constantine and the Edict of Milan

by Bishop Athanasius (Yevtich)

In 2013 Christian world celebrates 1700 years since the day when the Providence of God spoke through the holy Emperor Constantine and freedom was given to the Christian faith. Commemorating the 1700 years since the Edict of Milan of 313, Sebastian Press of the Western American Diocese of the Serbian Orthodox Church published a book by Bishop Athanasius Yevtich, Holy Emperor Constantine and the Edict of Milan. The book has 72 pages and was translated by Popadija Aleksandra Petrovich. This excellent overview of the historical circumstances that lead to the conversion of the first Christian emperor and to the publication of a document that was called "Edict of Milan", was originally published in Serbian by the Brotherhood of St. Simeon the Myrrh-gusher, Vrnjci 2013. “The Edict of Milan” is calling on civil authorities everywhere to respect the right of believers to worship freely and to express their faith publicly.

The publication of this beautiful pocket-size, full-color, English-language book, has been compiled and designed by Bishop Athanasius Yevtich, a disciple of the great twentieth-century theologian Archimandrite Justin Popovich. Bishop Athanasius' thought combines adherence to the teachings of the Church Fathers with a vibrant faith, knowledge of history, and a profound experience of Christ in the Church.

In the conclusion of the book, the author states:"The era of St. Constantine and his mother St. Helena, marks the beginning of what history refers to as Roman, Christian Empire, which was named Byzantium only in recent times in the West. In fact, this was the conception of a Christian Europe. Christian Byzantine culture had a critical effect on Europe; Europe was its heir, and then consciously forgot it. Europe inherited many Byzantine treasures, but unfortunately, also robbed and plundered many others for its own treasuries and museums – not only during the Crusades, but during colonial rule in the Byzantine lands as well. We, the Orthodox Slavs, received a great heritage of the Orthodox Christian East from Byzantium. Primarily, Christ’s Gospel, His faith and His Church, and then, among other things, the Cyrillic alphabet, too."