A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

In the Mirror

A Collection of Iconographic Essays and Illustrations

By Fr. Stamatis Skliris

The Serbian Orthodox Diocese of Western America is pleased to announce the publication of an outstanding book by Fr. Stamatis Skliris, a disciple of the great twentieth-century theologians Archimandrite Justin Popovich and Bishop Athanasius Yevtich. Fr. Stamatis is a parish priest in Athens and is renowned as an iconographer and as a writer and lecturer on Byzantine iconography.

In the Mirror is the second of a planned collection of works of contemporary theologians. It is an anthology of Fr. Stamatis’ articles which have appeared in Greek and Serbian. In it, he combines adherence to the teachings of the Church Fathers with a vibrant expression of faith through the experience of Christ in the Church. The book is adorned with more than 200 striking icons and illustrations by Fr. Stamatis.

Fr. Stamatis’ contribution to modern art (both Church art, and art in general) through his painting and iconography is already a generally established fact. Focusing on themes central to patristic Christology and Anthropology, the book reveals the ultimate purpose of the icon. Fr. Stamatis speaks of how, through the reality of the Incarnation of the Invisible God, we have been given the possibility of Christian iconography, iconology and icon veneration.

Upon observing Fr. Stamatis’ artwork, we see that he manages to link the graphic and the chromatic elements harmoniously and with rare originality, thus anticipating with his drawing and coloring a wondrous world, God’s world of love and light. With regard to the graphic element, by the mobility and expressiveness of his images, with the open, childlike looks in their eyes—through his excellent knowledge of anatomy (being a medical doctor) and of psychology (being a priest and a spiritual father)—Fr. Stamatis overcomes the immobility and inertia of fallen human nature through a movement of reaching out, which is the feat of loving and of an eager progress toward Christ. As far as coloration is concerned, by a combination of color (warm-cold, complementary), by a gradation of tones, and by a multitude of vibrating shades brought on by the brush—employing the best solutions from the history of the art of painting (Byzantine, impressionist, cubistic, abstract, surrealist, etc.)—and in doing all this, illuminating everything by light, Fr. Stamatis anticipates the coloration of Paradise, the coloration of “a new Heaven and a new Earth” (Rev. 21:1). In addition to this, he also offers a thematic contribution: he does not overlook emphasizing the historic, tragic element (agony, suffering, wounds, and pain) in the images of saints and martyrs depicted in his works, and especially in his most recent creations, which are, nevertheless, illuminated by the Light which overcomes the world and history.

Contents:

  1. A Questioning Gaze by Metropolitan John (Zizioulas) of Pergamon
  2. Aesthetic Light and Ontological Light in the Art of Painting
  3. The Pedagogical Potential of Byzantine Art
  4. From Portrait to Icon
  5. The Person of Christ and the Style of Icons
  6. The Icons of Fr. Stamatis Skliris by Metropolitan John (Zizioulas) of Pergamon
  7. An Interpretation of Hellenism Based on the Conduction of Light
  8. Shading and Psychology in the Wall Paintings of Saint Nikolaos Orphanos
  9. Andrei Rublev—The Saint of Russian Iconography
  10. The Icon and the Ultimate State of Existence by Bishop Maxim (Vasiljevic) of the Serbian Orthodox Diocese of Western America

SA

 

People Directory

Danielle Sremac

Danielle (Danijela) Sremac President of the Serbian Institute in Washington, D.C. has been named “one of the best known Serbian-American women in the U.S.” having appeared on hundreds of television and radio shows in the US and internationally, including CNN, NBC, CBS, Fox News, BBC, NPR Radio and more.

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Publishing

Serbian Americans: History—Culture—Press

by Krinka Vidaković-Petrov, translated from Serbian by Milina Jovanović

Learned, lucid, and deeply perceptive, SERBIAN AMERICANS is an immensely rewarding and readable book, which will give historians invaluable new insights, and general readers exciting new ways to approach the history​ of Serbian printed media. Serbian immigration to the U.S. started dates from the first few decades of 19th c. The first papers were published in San Francisco starting in 1893. During the years of the most intense politicization of the Serbian American community, the Serbian printed media developed quickly with a growing number of daily, weekly, monthly and yearly publications. Newspapers were published in Serbian print shops, while the development of printing presses was a precondition for the growth of publishing in general. Among them were various kinds of books: classical Serbian literature, folksong collections, political pamphlets, works of the earliest Serbian American writers in America (poetry, prose and plays), first translations from English to Serbian, books about Serb immigrants, dictionaries, textbooks, primers, etc.

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