A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Vasa Mihich

A senior Professor of Design at the University of California, Los Angeles, Vasa is an innovative, internationally known sculptor whose creative work explores the three dimensional interactions of light and color. With an advanced understanding of optical complexities, Vasa has become, in the words of Henry Seldis, former art critic of The Los Angeles Times, "the most sensuous and sensational colorist of the southern California artists working in plastic."

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Born in Yugoslavia in 1933, Vasa Mihich, an academically trained painter, became a member of the faculty at the University of Belgrade in 1956. During a visit to Paris that same year, Vasa became aware of the growing importance of American art, and four years later he immigrated to the United States. Influenced by the major changes taking place in art in the United States and especially in Los Angeles, Vasa began working in three-dimensional painted constructions in 1964. This work was first shown in January, 1966 in the Feigen-Palmer Gallery in Los Angeles and that same year was included in the seminal exhibit American Sculptures of the Sixties at the Los Angeles County Art Museum and other museum and university exhibits. 1967 was an important year for Vasa. He began including plastic in his work. A painter interested in placing color in open space, he began to use clear plastic as a structural support for different planes of color. Expecting to explore this medium for a few years, Vasa, to his surprise, continues some thirty years later to discover new possibilities. In 1967 he also returned to teaching, joining the faculty at UCLA where he continues to teach.

Except for a brief stay in New York, Vasa has lived in California since his arrival in the United States. Here in his comprehensive studio, located in the heart of Los Angeles and designed and built to accommodate the machinery, staff and advanced technology required for his work, Vasa creates and makes all of his art. And now, in response to the new information age the artist has designated several works for presentation and commission on the internet.


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People Directory

Bishop Mitrofan (Kodić)

(1987–2016; 2016–)

Bishop Mitrofan Kodić, nee Radovan, was born on 4 August, 1951, in the village Ljuša, Šipovo, Bosnia, Yugoslavia. Radovan completed his elementary studies in 1966. He went to study further at the seminary in the Krka monastery in Croatia, Yugoslavia. At the same time, he entered the brotherhood of the monastery. In 1970, Radovan was tonsured to be a monk, and he was given the name Mitrofan on the eve of the Feast of the Entrance of the Most Holy Mother of God into the Temple (3 December/20 November). He was ordained to the Holy Diaconate by Bishop Stefan (Boca) of Žiča. In 1971, the Hierodeacon Mitrofan (Kodić) graduated from the seminary of the Krka Monastery, while on 6 January, 1974, he was ordained to the holy priesthood in the monastery by Bishop Stefan (Boca).

In 1975, the Hieromonk Mitrofan entered the Faculty of Theology in Bucharest, Romania. He completed his studies, and he graduated in 1977. He then returned to the Krka monastery. There, he was assigned to be a “trainee” (supplent) in the Seminary of the Three Holy Hierarchs in the Krka Monastery. In 1987, the Hieromonk Mitrofan was assigned to serve as the rector of the seminary.

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Publishing

All Roads Lead to Jackson

Serbian American Contributions in Amador County, California, since the Gold Rush
Milina Jovanović offers a unique compilation of individual and family immigration stories that include enormous contributions to the development of California and significant community involvement. In this version of people’s history she chronicles how Serbian Americans have strengthened community, region, state, and country through the endeavors and struggles of 150 years. This book also focuses on women’s contributions that are too often overlooked. Ms. Jovanović’s study reveals that Jackson not only remains an original and symbolic home to Serbian Americans and Serbian Orthodox religion, but also an oasis where the Serbian community has preserved its positive reputation and social influence.

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