A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Vasa Mihich

A senior Professor of Design at the University of California, Los Angeles, Vasa is an innovative, internationally known sculptor whose creative work explores the three dimensional interactions of light and color. With an advanced understanding of optical complexities, Vasa has become, in the words of Henry Seldis, former art critic of The Los Angeles Times, "the most sensuous and sensational colorist of the southern California artists working in plastic."

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Born in Yugoslavia in 1933, Vasa Mihich, an academically trained painter, became a member of the faculty at the University of Belgrade in 1956. During a visit to Paris that same year, Vasa became aware of the growing importance of American art, and four years later he immigrated to the United States. Influenced by the major changes taking place in art in the United States and especially in Los Angeles, Vasa began working in three-dimensional painted constructions in 1964. This work was first shown in January, 1966 in the Feigen-Palmer Gallery in Los Angeles and that same year was included in the seminal exhibit American Sculptures of the Sixties at the Los Angeles County Art Museum and other museum and university exhibits. 1967 was an important year for Vasa. He began including plastic in his work. A painter interested in placing color in open space, he began to use clear plastic as a structural support for different planes of color. Expecting to explore this medium for a few years, Vasa, to his surprise, continues some thirty years later to discover new possibilities. In 1967 he also returned to teaching, joining the faculty at UCLA where he continues to teach.

Except for a brief stay in New York, Vasa has lived in California since his arrival in the United States. Here in his comprehensive studio, located in the heart of Los Angeles and designed and built to accommodate the machinery, staff and advanced technology required for his work, Vasa creates and makes all of his art. And now, in response to the new information age the artist has designated several works for presentation and commission on the internet.


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People Directory

Milo Radulovich

Milo John Radulovich (October 28, 1926 – November 19, 2007) was an American citizen (born in Detroit) of Serbian descent and former reserve Air Force lieutenant who was accused of being a security risk for maintaining a "close and continuing relationship" with his father and sister, in violation of Air Force regulation 35-62. His case was publicized nationally by Edward Murrow on October 20, 1953, on Murrow's program, See It Now:

“That [Air Force regulation 35-62] is a regulation which states that 'A man may be regarded as a security risk if he has close and continuing associations with communists or people believed to have communist sympathies.' Lieutenant Radulovich was asked to resign in August. He declined. A board was called and heard his case. At the end, it was recommended that he be severed from the Air Force. Although it was also stated that there was no question whatever as to the Lieutenant's loyalty.—Edward R. Murrow”

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Publishing

My Brother's Keeper

by Fr. Radovan Bigovic

Rare are the books of Orthodox Christian authors that deal with the subject of politics in a comprehensive way. It is taken for granted that politics has to do with the secularized (legal) protection of human rights (a reproduction of the philosophy of the Enlightenment), within the political system of so-called "representative democracy", which is limited mostly to social utility or to the conventional rules of human relations. Most Christians look at politics and democracy as unrelated with their experience of the Church herself, which abides both in history and in the Kingdom, the eschaton. Today, the commercialization of politics—its submission to the laws of publicity and the brainwashing of the masses—has literally abolished the "representative" parliamentary system. So, why bother with politics when every citizen of so-called developed societies has a direct everyday experience of the rapid decline and alienation of the fundamental aspects of modernity?

In the Orthodox milieu, Christos Yannaras has highlighted the conception of the social and political event that is borne by the Orthodox ecclesiastical tradition, which entails a personalistic (assumes an infinite value of the human person as opposed to Western utilitarian individualism) and relational approach. Fr Radovan Bigovic follows this approach. In this book, the reader will find a faithful engagement with the liturgical and patristic traditions, with contemporary thinkers, Orthodox and non-Orthodox, all in conversation with political science and philosophy. As an excellent Orthodox theologian and a proponent of dialogue, rooted in the catholic (holistic) being of the Orthodox Church and of his Serbian people, Fr Radovan offers a methodology that encompasses the above-mentioned concerns and quests.