A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Zoran Mojsilov

Zoran Mojsilov was born in Belgrade, Yugoslavia in 1955. As a small child, he carved his own toys out of scrap wood and was adept at drawing and painting. In early adolescence he began Greco-Roman wrestling and continued this practice into his mid-20’s. He credits the discipline of training, an understanding of the skeletal muscular forms in the human body, and the spirit of competition in sports and life as primary factors for creating art today.

Mojsilov left Belgrade in 1983 for Paris, France to test his artistic credibility. In 1984, he met Ilene Krug, an American Artist, at Association Confluences. After two productive years there, they decided to move to Minneapolis in 1986.

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Once in Minneapolis, Mojsilov made large scale sculptures in wood using the assemblage process that he had started in Paris. His career developed steadily with recognition from local and national grants such as the McKnight Artist Fellowship in 1987, the Socrates Sculpture Park / Athena Foundation Award in 1988 and 1990, the Pollack-Krasner Foundation Artist Fellowship in 1990, the Minnesota State Arts Board Artist Assistance Fellowship in 1994, the Bush Foundation Artist Fellowship in 1996, and the Jerome Foundation, Travel and Study Grant in 1993 and 2001.

Mojsilov had a sculptural break-through in 1990 when he was an artist-in-residence at La Vie des Formes in Chalon-sur-Saône, France. In this French shipyard, he took up welding and made sculptures in stone and steel. Mojsilov continues to use these durable materials in his public art projects to this day. They include: the Metropolitan Regional Arts Council High Bridge Park, St. Paul in 1995, the Minneapolis Arts Commission, Camden Gateway Project, Minneapolis in 1996, the Minnesota Percent for Art in Public Places, Rochester Community & Technical College in 1997; the Dallas Area Rapid Transit, Dallas TX in 1998; Wisconsin Percent for Art in Public Places, U of WI at Stevens Point WI in 1999; Kirchbak Sculpture Garden, Richfield MN in 2000; North Dakota Museum of Art, Grand Forks ND in 2000; Spirit of Milwaukee Neighborhood Millennium Art Initiative, Milwaukee WI in 2000; Nebraska Percent for Art in Public Places at Wayne State College in Wayne NE in 2002; the Anderson Center for Interdisciplinary Studies in Red Wing MN in 2006.

From: Bockley Gallery


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People Directory

Bishop Mardarije (Uskokovic)

The First Serbian Bishop of America and Canada
Bishop Mardarije was born in Podgorica on December 22, 1889, his father, Pero, being a tribal captain and mother Jela, nee Bozovic. He finished elementary school in Cetinje where he started high school, continuing in Belgrade. Leaving high school in his fifth year, he went to Studenica Monastery. In 1906, with the blessing of Bishop Sava (Barac) of Zica, he took monastic vows and was ordained a deacon. He graduated from the Seminary in Kisenjev where a collection of his sermons was published. From here he went to St. Petersburg, graduating from the Theological Academy in 1916.

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Publishing

On The Holy Liturgy

by Bishop Athanasius Yevtich

The Divine Liturgy is at the center of Orthodox Christian life. It is through the Eucharist that the faithful are united with Christ and therefore with one another. Every Eucharistic gathering is an image and a reality of the Heavenly Liturgy, i.e. unceasing Synaxis of angels and saints around God’s throne. Thus the Liturgy is the proclamation of and a real image of God’s Kingdom in this world.

In this television interview conducted by the Logos, a renowned Orthodox theologian and retired Bishop of Zahumlje and Hercegovina, his Grace Atanasije, brings forth these essential points citing historical development of the Liturgies bringing to light the present misunderstanding of certain Liturgical actions and movements.

Bishop Atanasije aptly points out the necessity for Liturgical renewal, i.e. moving away from passive liturgical attendance to active participation and immersion of the soul and body into a full communion with Christ.

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