A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla
Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt
While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson
Karan was born in Belgrade. In 2007, Karan appeared alongside Nikola Kojo and Bogdan Diklić in the Serbian thriller Četvrti čovek (The fourth Man) by Dejan Zečević and alongside Branko Tomović in the British Drama Taximan by Henrik Norrthon.
.She appeared on the December 2011 cover of Serbian Cosmopolitan magazine.
Miloš Milorad Velimirović (December 10, 1922 – April 18, 2008) was an American musicologist. Twice a recipient of a Fulbright fellowship, he was considered an international expert in the areas of Byzantine music, the history of Slavonic music, and the history of Italian opera in the 18th century.
Velimirović was born in Belgrade, Serbia, to Milorad and Desanka (Jovanović) Velimirović, a physician and a piano teacher respectively. In his boyhood in Serbia, he learned to play the violin and piano. He was gifted with the ability to learn multiple languages, in addition to a lifelong passion for music. During his adolescent years he studied music history and music theory. Velimirović began a program of studies in music history at the University of Belgrade, also studying violin and piano at the conservatory. In 1941, with the invasion of the Axis powers, the university was closed, and Velimirović's studies there were suspended until after the war.
The present volume collects essays and articles written by Bishop Ignatije on man within history and within the Church; on the roots of the Church according to Saint Maximus the Confessor; on how God views us through love; about a call to rediscover our true self in our neighbor; on reconciliation in society and policy; on iconising that which is to come seen in the Iconography of Stamatis Skliris.
