A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Nikola Resanovic

Nikola Resanovic (born 1955) is an American composer and professor of music. He is the winner of the 2003 Cleveland Arts Prize in Music and is one of Ohio's best known living composers.

In 1955, he was born in Derby, England. Resanovic moved to the United States where he has been a naturalized citizen since 1976. He holds degrees from the University of Akron and the Cleveland Institute of Music. He is currently a Professor of Music and the University of Akron.

.

Resanovic has composed numerous symphonic and choral works, symphonic band works, chamber and solo works, as well as some rather avant-garde electro-acoustic compositions. His works have been performed globally. His choral works are heavily influenced by Serbian music; Resanovic, of Serbian descent himself, has extensively studied the sacred chants of the Serbian Orthodox Church and has composed several volumes of liturgicial music.

Selected works

  • alt.music.ballistix for clarinet and digital audio tape
  • Crosstalk for E-flat alto saxophone and digital audio tape
  • South Side Fantasy for solo double bass and Compact Disc
  • Dance In A White Bay for orchestra, commemorating the crew of the Edmund Fitzgerald
  • Drones and Nanorhytms for woodwind quintet
  • Sonata for Euphonium and Piano for euphonium and piano

External links:


SA

 

People Directory

John David Brcin

A statue of a Sioux warrior on a rearing horse, proposed and modeled by Serbian-born sculptor John David Brcin (1899–1983), realized by Matthew Placzek in the late 1920s for the entrance to the Joslyn Memorial.

The biggest commission Brcin has executed — and one of the choicest of his era in the United States — was for the Joslyn Memorial, Omaha, a handsome marble building with picture galleries and an auditorium adaptable as a theater, given by Mrs. Sarah H. Joslyn to be the city’s center for painting, sculpture, music, literature, the drama and cultural arts in general. It is a $3,000,000 structure, dedicated to George A. Joslyn, a pioneer “patent-medicine man” of Omaha who became the city’s wealthiest capitalist, founded various enterprises, including the Western Newspaper Union, and died in 1918.

Read more ...

Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0