A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Mladen Mrdalj

Mladen Mrdalj is a PhD candidate who focuses on research and teaching in Comparative Politics, International Relations and Research Methods. His dissertation investigates significance of external factors in the dynamics of domestic political violence in the Yugoslav civil wars. Mladen’s thesis will analyze inter-connected case studies chosen from the context of the collapse of the former Yugoslavia. The central focus of Mladen’s dissertation is how perceptions of the international system influenced domestic elites’ strategic use of violence. The dissertation will also attempt to deal with more theoretical questions, such as: how domestic actors differentiate between the official and actual positions of international actors, how are they trying to manipulate international actors, and what can we learn about conflict management by answering these questions.

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In the fall of 2012, Mladen received support from the Humanities Center at Northeastern University to set up a research group to expand upon the study of the international sources of domestic political conflict and violence. Other topics of his academic interests are: civil-military relations, international security, the ideology of Yugoslavism, Balkan politics and trilateral relations between the US, EU and Russia.

Since 2010, Mladen has been actively involved in designing and leading the Dialogue of Civilizations program which introduces Northeastern students to the Western Balkans. In this Balkans Dialogue, students visit important institutions, sites, politicians and activists in the former Yugoslavia, and learn firsthand about ethno-nationalism, post-conflict reconstruction and EU accession. In addition to these activities, Mladen lectures on various aspects of conflict and politics in the post-Yugoslav space.

Mladen earned his LLB and MA in Security Studies from the University of Belgrade, Serbia. He is an alumnus of The Fund for American Studies and Georgetown University’s summer programs in Prague as well as in Washington D.C., where he also interned at the Institute of World Politics. He served in the Serbian Armed Forces’ Guard Brigade. In his spare time Mladen is passionate about his hobbies: genealogy, eating ice cream, basketball and literature. A New England aficionado, Mladen has embraced the charms of Nantucket, apple crisp and resenting New Yorkers.

Source: Northeastern University


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Marko Kratohvil

Marko Kratohvil was born in Belgrade in 1958.He graduated and received a master’s degree in sculpture at the Belgrade Academy of Fine Arts in the class of Professor Nikola Koka Jankovic.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0