A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Anna Novakov

Anna Novakov (October 2, 1959) is a Serbian-American art historian, critic, educator and curator based at Saint Mary's College of California. A prolific writer, Novakov has received numerous awards and grants for her research and art criticism. In addition to her published essays, collaborations with artists, museum catalogues and exhibition reviews, she is the primary contributor and editor of more than ten books.

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Anna Novakov holds a bachelor's degree from the University of California, Berkeley, a master's degree from the University of California, Davis, and a doctorate from New York University in the History of Art and Art Education under the direction of Professor Angiola Riva Churchill and Professor David Ecker.

From 1992 until 2003, Novakov taught courses in the history of art, gender and visual culture at the San Francisco Art Institute. Her students included Nao Bustamante, Felipe Dulzaides, Mads Lynnerup, Matmos, Guy Overfeld, Nuno Pedrosa, Kehinde Wiley and many other emerging artists. In 2004 she was tenured as a professor of art history and women’s studies at Saint Mary’s College of California – a liberal arts college. While at Saint Mary’s, Novakov has explored the role that public spaces (both physical and virtual) can play in undergraduate pedagogical development.

Anna Novakov has been curator of a number of European exhibitions that melded public space and gender with contemporary installation art. Working with Swedish artist, Jorgen Svensson, Novakov conceptualized Public Safety (2000) – an exhibition held in Hammaro, Sweden. In 2005, Novakov collaborated with Swiss artist and writer Denise Ziegler on Moving Target – an international exhibition of public art in Helsinki, Finland.

In 1989, Novakov came to prominence in Manhattan as one of the first art critics to write about the role of gender in contemporary public art. Her writings on artists such as Marina Abramovic, Dennis Adams, Shimon Attie, Tony Labat, Inigo Manglane-Ovalle, Michael Rakowitz, and Andrea Zittel has formed the basis for public art studies – an academic branch of art history and visual culture.

For the past ten years, her work has explored art, gender and interwar architecture in the Netherlands, France, Austria and Germany. During this time Novakov has written extensively about the role of gender in the architectural work of Eileen Gray, Charlotte Perriand, Lily Reich, and Grete Schutte-Lihotzky.

Currently, Novakov is writing about the history of the Eastern European modernism (from 1900–1945) and its impact on avant-garde artists and architects working in Croatia, Serbia and Slovenia. Her in-depth analysis of works by Ivana Tomljenovic and Milena Pavlovic-Barilli is the first by a historian living outside of the Balkans.

Books:

  • Veiled Histories: The Body, Place and Public Art (1997)
  • Carnal Pleasures: Desire, Contemporary Art and Public Space (1998)
  • The Artistic Legacy of Le Corbusier’s machine à habiter (2008)
  • Essays on Women's Artistic and Cultural Contributions 1919-1939: Expanded Social Roles for the New Woman following the First World War (2009)

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Bishop Hrizostom (Stolić)

(1988–2012)

After the death of Bishop Grigorije the Western Diocese was administered by Irinej, Bishop of Niš, from October 1985 until May 1986, and by Sava, Bishop of Šumadija, from July 1986 until May 1988.

The Holy Bishops’ Assembly at the regular session in May 1988 elected Archimandrite Hrizostom Stolić as a Bishop of the Western Diocese.

Bishop Hrizostom was born in 1939 in Ruma where he graduated from elementary school and middle school (High School). After High School he went to the Dečani Monastery where he took monastic vows. He was ordained to hierodeacon and hieromonk by Rt. Rev. Pavle, Bishop of Ras-Prizren. Soon afterwards he went to America to be at the service to his Church and people. He studied at the Seminary in the Russian Holy Trinity Monastery in Jordanville. He then came to Chicago and helped the pastor at Holy Resurrection Church with his duties. He was appointed temporary pastor of St. George Church in East Chicago, Indiana in 1967. He remained there until 1969. For two years he established firm spiritual roots in the community. He felt a higher calling and responded to it. In 1969 he went to the Hilandar Monastery at Mount Athos in Greece, where he remained for nineteen years. There he was elevated to the rank of archimandrite by the Patriarch of Constantinople, His Holiness Demitrius the First. At one time he was elected a Dean of Mount Athos. He was a librarian in the Hilandar Monastery. Along with the spiritual growth he advanced his intellectual dimensions. He published the Lives of the Holy Fathers in two volumes and the Liturgy of St. Apostle James, which he translated into the Serbian language.

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Publishing

History, Truth, Holiness

by Bishop Maxim Vasiljevic

Bishop Maxim’s first book, described by Fr. John Breck as an “exceptionally important collection of essays” contributing to both the theology of being and also contemporary theological questions, is now available! Christos Yannaras describes Bishop Maxim as “a theologian who illumines” and Fr. John McGuckin identifies his work as “deeply biblical and patristic, academically learned yet spiritually rich.” The first half of the book collects papers emphasizing theological ontology and epistemology, reminding us how both the mystery of the Holy Trinity and that of the Incarnation demand that we rethink every philosophical supposition; it includes chapters on holiness as otherness, truth and history, and the biochemistry of freedom. The second half of the book features lectures dedicated to the theological questions posed by modern theology, including studies of Orthodox and Roman Catholic ecclesiology, liturgics, and the theology of icons.