A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Natasha Pavlovich

Natasha Pavlovich is a Serbian-American entrepreneur; an accomplished Hollywood actress, International Beauty Queen, Aviatrix, Future Astronaut, and soon to be published author. She is a descendent of Grand Duke Pavle Radenović of Bosnia (late 14th Century). She was born to Serbian parents and spent her early years in former Yugoslavia before immigrating to America to join relatives in Chicago, Illinois.

Her childhood interests in acting led to a move to Los Angeles to pursue a career in film and television. She was accepted into the prestigious Hollywood Professional School, and  graduated with honors at age sixteen. Ms. Pavlovich earned a Bachelors Degree in English from the University of California, Los Angeles. Simultaneously, she attended twelve years of acting school under the direction of legendary Hollywood acting coach, Sal Dano.

While Natasha's beauty earned her international titles, she wasn't always cast in glamorous roles. Hollywood heavyweights took notice of this powerhouse of an actresses  talents, her chameleon like ability to transform into various looks, languages, comedies, and dramas, and speak roles  in Spanish, Romanian, Russian, Czechoslovakian, Serbian, Arabic, and French, in  more than 50 prime time, network television productions. She has worked alongside Academy Аward winning actors, directors, and producers and appeared on hit shows such as: Nip/Tuck, J.A.G, Vegas, Judging Amy, Monk, The Son of the Pink Panther movie, and many others. Natasha also had a recurring role on the popular Serbian television series, Gorki Plodovi, (Bitter Fruit), filmed in Belgrade, Serbia.

Source: Official Web Site


SA

 

People Directory

Никола Васић

Родио се у Зворнику, у БиХ ,1893. године, умро је у Балтимору 1961. године у Балтимору, САД.

Спада у најбоље градитеље виолина у свету између два светска рата.

1908. године из Зворника одлази у Нови Сад на изучавање заната за прављење гудачких инструмената, а занат усавршава у тадашњој Чехословачкој. Боравио је и у Русији, Кини и Јапану да би се најзад 1925. године настанио у САД. Ту га открива чувени северноамерички виртуоз на виолини Елман и назива највећим живим светским градитељем виолина. Упоређује га са Страдиваријем, највећим и најпознатијим градитељем виолина и других гудачких инструмената на којима свирали или свирају највећи уметници.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0