A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Ivana Todorović

Ivana Todorović je rediteljka kratkih socijalno angazovanih dokumentarnih filmova, koje je pravila u Beogradu i Njujorku. Filmovi „Ja kada sam bila klinac, bila sam klinka“, „A Harlem Mother“, „Rapresent“ i „Svakodnevica romske dece iz bloka 71“ prikazani su na preko 100 internacionalnih filmskih festivala poput 63. Festivala u Berlinu, Berlinale Shorts; IFF Rotterdam, The Traverse City Film Festival (festival Michael Moore-a), Palm Springs Shorts, Sarajevo Film Festival; Anthology Film Archive u Njujorku i Cultura Contemporiana de Barcelona. Nagradjivani su na festivalima u Srbiji, Kosovu, Americi, Rusiji, Italiji, Kanadi.

Film „A Harlem Mother“ je uvršten u online video biblioteku New York Times-a. Ovi filmovi se koriste u obrazovanju, medijskim kampanjama i NVO sektoru u Srbiji i svetu. Ivana se bavi i obrazovanjem mladih, drži radionice dokumentarnog filma i odrzala je TEDxAUK govor u Prištini. 2018te magistrirala je na katedri TV i Filmske rezije na Fakultetu Dramskih Umetnosti sa kratkim igranim filmom „ Kada sam kod kuce“. Diplomirala je na Documentary Media studies na New Schoolu u Njujorku, kao i na katedri za Etnologiju i Antrologiju na Filozofskom fakultetu. Zavrsila je u Beogradu francusku radionicu dokumentarnog filma Ateliers Varan, osnovanu od strane Jean Rouch-a. Jedna je od izabranih umetnika 2015. u Saary rezidenci programu u Finskoj. Godine 2010. bila je izabrani menti u programu New York Foundation for the Arts u Njujorku.


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Никола Васић

Родио се у Зворнику, у БиХ ,1893. године, умро је у Балтимору 1961. године у Балтимору, САД.

Спада у најбоље градитеље виолина у свету између два светска рата.

1908. године из Зворника одлази у Нови Сад на изучавање заната за прављење гудачких инструмената, а занат усавршава у тадашњој Чехословачкој. Боравио је и у Русији, Кини и Јапану да би се најзад 1925. године настанио у САД. Ту га открива чувени северноамерички виртуоз на виолини Елман и назива највећим живим светским градитељем виолина. Упоређује га са Страдиваријем, највећим и најпознатијим градитељем виолина и других гудачких инструмената на којима свирали или свирају највећи уметници.

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0