A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Jelena Stupljanin

Jelena Stupljanin

While in high school, Jelena ended up in a drama studio where she was trained and tutored by the late legendary acting professor Milenko Maricic. Then, a year later she was accepted at the prestigious National Academy of Dramatic Arts of Serbia, after auditioning with nearly 1000 candidates, in the class of the renown professor Gordana Maric. She completed the four years endeavor ahead of time with excellence and an award 'Branivoj Djordjevic' for best student in diction.

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Jelena won the hearts of the nation playing the title role in the musical 'Front Page Doll,' which earned her the best actress award of Theater 'Terazije'. This was the beginning of a new era of Jelena's career. Her success continued when she became a permanent member of one of the leading European theater companies' Atelje 212, where she took part in many mainstream productions, both nationally and internationally, including tours in most of the European countries.

Although she has appeared in many minor TV and Film productions before, Lisice-Foxes, a TV cult title featured on the national Serbian broadcast, that 'introduced' Jelena Stupljanin to the mass TV audiences across Serbia and the Balkans. Being one of the lead characters, Jelena and her fellow cast members mesmerized the spectators and made Foxes a grand success.

With the great generosity and support of Svetozar Cvetkovic (the artistic director of Atelje 212), HRH Princess Elizabeth Karageorgevic of Serbia as well as Ms Eileen Murray, Jelena was sponsored to attend the Lee Strasberg Theater and Film Institute in New York.

Currently Jelena is based bi-continentally and works both in Europe and the US on both the east and the west coast, and she is equally successful on stage and on screen.

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Richard Milanovich

Richard Milanovich

Birth: Dec. 4, 1942, Banning, Riverside County, California, USA
Death: Mar. 12, 2012, Rancho Mirage, Riverside County, California, USA

Born to an Indian mother and Serbian father, Richard M. Milanovich grew up in poverty in Palm Springs, living in a shack and receiving government handouts of surplus food. He served as in infantryman in the United States Army from 1960-1963, and later returned to the Agua Caliente Band of Cahuilla Indians Reservation to engage in tribal politics. Eventually he was elected Chairman of the Band in 1984, and became a major figure in the development of casino operations on Indian land in the region and California. Through his vision and leadership, the Agua Caliente Band became the most prosperous group of Indians in the United States, and were able to make major contributions to the economy of the Palm Springs area. As Chairman, he was invited to the White House to consult with the President and other political officials. California Governor Jerry Brown, Congresswoman Mary Bono-Mack, Palm Springs Mayor Steve Pougnet, and Tribal Chairpersons from throughout California all eulogized Chairman Milanovich at the memorial service held in his honor held at the Palm Springs Convention Center. He was buried in a service attended by family and close friends.

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Sailors of the Sky

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0

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