A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Slavoljub Slavko Vorkapić

Slavoljub Slavko Vorkapić (Serbian Cyrillic: Славољуб Славко Воркапић; March 17, 1894 – October 20, 1976), known in English as Slavko Vorkapich, was a Serbian-American film director and editor, former Chair of USC Film School, painter, and a prominent figure of modern cinematography and film art.

Slavoljub Vorkapić was born on March 17, 1894, in the small village of Dobrinci near Ruma in the Syrmia region, at the time part of the Kingdom of Croatia and Slavonia of the Austro-Hungarian Empire (now Serbia). His father Petar, the town clerk, insisted that young Slavko should be well-educated.

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After finishing his primary education, he became a student in a well-known regional high-school in the nearby town of Sremska Mitrovica, where he made his first steps in art and drawing. He continued his high-school education in Zemun and later in the famous Art School in Belgrade. With a scholarship received from Matica srpska, Serbia's highest cultural and scientific institution at the time, Vorkapić went to Budapest, Hungary, where he studied art. At the beginning of World War I he immediately returned to his homeland where, with the country besieged on all sides, he survived the tragic Serbian retreat across Albania in order to reach Allied positions in Greece. From there he sailed to Italy, from where he reached France. He managed to enter Art Academy in Paris but soon after moved to Montparnasse among other Avant-garde artists. He took part in the 1917 and 1919 collective painter exhibits.

Slavko Vorkapić's dream to go to the United States was fulfilled in 1920. For a short time, he lived in New York City. Then, for almost a year, he roamed the country nearly homeless, until his arrival in Hollywood in July 1921. Although he started his film career as a painter and an actor, he became best known as a special effects expert, film artist, film teacher, director, editor and became one of the most respected filmmakers in the period between the two World Wars. Vorkapić made a great number of documentaries and experimental films.

Vorkapić co-directed the experimental short film The Life and Death of 9413: a Hollywood Extra (1928) with Robert Florey, and Moods of the Sea (1941) and Forest Murmurs (1947) with filmmaker John Hoffman (1904–1980).

He is best known for his montage work (see montage sequence) on Hollywood films such as Viva Villa (1934), David Copperfield (1935), San Francisco (1936), The Good Earth (1937), and Mr. Smith Goes to Washington (1939). In October 2005, the DVD collection Unseen Cinema: Early American Avant Garde Film 1894-1941 was released and included a one-minute montage sequence Vorkapich did for the otherwise lost film Manhattan Cocktail (1928), directed by Dorothy Arzner.

The now-common montage sequence often appeared as notation in Hollywood scripts of the 1930s and 40s as the "vorkapich" because of his mastery of the dynamic visual montage sequence wherein time and space are compressed using a variety of editing techniques and camera moves. Vorkapich used kinetic editing, lap dissolves, tracking shots, creative graphics and optical effects for his stunning montage sequences for such features as Meet John Doe, Maytime, Crime Without Passion, Manhattan Melodrama, and Firefly. He created, shot, and edited these kinesthetic montages for features at Universal Studios (then known as Universal Pictures), MGM, RKO, and Paramount.

His protege, Art Clokey, learned kinescope animation techniques under him and went on to create the Gumby animated series.

He was appointed chair of the Department of Film of the University of Southern California from 1949-1951.

In 1938 Vorkapich commissioned modern architect Gregory Ain to build a garden house for his Beverly Hills residence. It was a minor landmark in prefabricated architecture. It has since been destroyed.

During the 1950s he was in Yugoslavia and worked as a professor at the Belgrade Film and Theatre Academy. In Yugoslavia in 1955 Vorkapić made his last full-length movie Hanka.

Slavko Vorkapić died of a heart attack in Mijas, Spain, on the estate of his son on October 20, 1976.

Two of his many master drawings, his gift during a visit to Yugoslavia, are kept in the Syrmia Museum in Sremska Mitrovica. Recent reports say that his descendants are ready to fulfill Vorkapić’s last will and testament to donate the same museum with all of his remaining art drawings.

Sources

  • The Most typical Avant-Garde James, David - 2005
  • On True Cinema, Babac, Marko - 1998
  • Slavko Vorkapich: Reminiscences - Davis, Ronald - 1978

From Wikipedia


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People Directory

John Alexander Vidović

John Vidovic is a young musician and composer whose talents, work with students, and presence in various musical circles have already created a significant community impact. Mr. Vidovic specializes in classical guitar, music theory and composition. He has been playing guitar for 13 years and has accumulated 11 years of experience as a self-taught pianist.

John studied guitar with Michael McChesney and Barrios scholar Richard Stover, as well as voice with Christopher Bengochea. He graduated from UCLA with a BA in music composition. As a composer, he has 9 years of experience in composition ranging from solo works to large ensembles, including chorus, wind ensemble and orchestra. He has also conducted original choral composition under the direction of Maestro Donald Neuen with the UCLA Chamber Singers in Royce Hall in June 2011. Mr. Vidovic composed choral works for the West Valley College Chamber singers performed at the Finale concerts in May 2009 and December 2011. His main influences include music from Latin America, Romantic era music, and folk music from Eastern Europe.

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Publishing

Poemes de Jovan Dučić / Песме Јована Дучића

Translated into French by Petar Bubresko. Bilingual edition (French and Serbian)

The first bilingual edition translations of poems in French of this prince of Serbian poetry. These translations of poems Dučić meet two objectives: to publicize the work of the poet to Francophone readers and pay tribute to both the Serbian language Dučić and French language to which the great poet and Petar Bubreško were passionately attached. This book is dedicated to Leposava Bubreško (1923-2013) professor Bubreško’s wife who wanted so much this work to be published.

Publishers: Sebastian Press, Vidoslov, and Metokhia

216 pages, soft bound, published in 2015, price $15


Песме Јована Дучића

На француски језик превео проф. др Петар Д. Бубрешко

Ова књига је посвећена Лепосави Бубрешко (1923-2013), супрузи професора Петра Д. Бубрешка, која је толико желела да ово дело изађе на светлост

Саиздавачи: Видослов, Требиње и Metokhia, Paris

ПОЕЗИЈА

Мирна као мрамор, хладна као сена,
Ти си бледо тихо девојче што снева.
Пусти песма других нека буде жена,
Што по нечистим улицама пева.

Ја не мећем на те ђинђуве са траком,
Него жуте руже у те косе дуге:
Буди одвећ лепа да се свиђаш сваком,
Одвећ горда да би живела за друге.

Буди одвећ тужна са сопствених јада,
Да би ишла икад да тешиш ко страда,
А чедна, да водиш гомиле што нагле.

И стој равнодушна, док око твог тела,
Место китњастог и раскошног одела,
Лебди само прамен тајанствене магле.

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