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A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

John Miljan

John Miljan (Serbian: Јован Миљановић; November 9, 1892 – January 24, 1960) was an American actor of Serbian origin. He appeared in 201 films between 1924 and 1958. He was the tall, smooth-talking villain in Hollywood films for almost four decades, beginning in 1923. He made his first talking debut in 1927 in the promotional trailer for The Jazz Musician inviting audiences to see the upcoming landmark film. In later years he played imposing, authoritative parts such as high-ranking executives and military officers. He is best remembered as General Custer in Cecil B. De Mille's epic The Plainsman.

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He died from cancer in Hollywood, Los Angeles. He was married to Victoire Lowe and adopted her two sons from her first marriage to Creighton Hale, the actor.

Selected filmography:

  • The Lone Chance (1924)
  • Silent Sanderson (1925)
  • The Devil's Circus (1926)
  • The Little Snob (1928)
  • The Unholy Night (1929)
  • Hardboiled Rose (1929)
  • The Woman Racket (1930)
  • The Unholy Three (1930)
  • The Sea Bat (1930)
  • Iron Man (1931)
  • Arsène Lupin (1932)
  • The Rich Are Always with Us (1932)
  • Whistling in the Dark (1933)
  • What! No Beer? (1933)
  • Young and Beautiful (1934)
  • The Ghost Walks (1934)
  • Charlie Chan in Paris (1935)
  • Mississippi (1935)
  • Tomorrow's Youth (1935)
  • Private Number (1936)
  • The Oklahoma Kid (1939)
  • Emergency Squad (1940)
  • Women Without Names (1940)
  • Obliging Young Lady (1942)
  • The Fallen Sparrow (1943)
  • I Accuse My Parents (1944)
  • The Merry Monahans (1944)
  • Back to Bataan (1945, uncredited)
  • Stampede (1949)
  • Samson and Delilah (1949) - Lesh Lakish
  • The Ten Commandments (1956) - The Blind One
  • The Lone Ranger and the Lost City of Gold (1958) - Chief Tomache
  • Dead Men Don't Wear Plaid (1982 - archive footage)

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People Directory

Никола Петковић

Никола Петковић (Инђија, 18. август 1893 — Питсбург, 1952) је био српски сликар у исељеништву из прве половине 20. века.

Рођен 1893. године у Инђији, у Срему, Никола Петковић је учио сликарство на Академији ликовне уметности у Бечу. 1916. године се иселио у Америку. Немајући средства за живот, после Првог светског рата прихватио се свештеничког позива, који је напустио 1930. када је дошао у сукоб са црквеним властима. У исељеништву је наставио да учи сликарство у вечерњој школи Карнеџи – универзитета у Питсбургу.

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Publishing

The Church at Prayer

by Archimandrite Aimilianos of Simonopetra

Publisher’s note

Many readers of the addresses of Elder Aimilianos, which have been published in the five-volume series, rchimandrite Aimilianos, Spiritual Instructions and Discourses (Ormylia, 1998-2003), have frequently expressed the wish for an abridged and more accessible form of his teaching. In response, we are happy to inaugurate a new series of publications incorporating key texts from the above-mentioned collection. Other considerations have also contributed o this new project, such as the selection of specific texts which address important, contemporary questions; the need for a smaller, more reader-friendly publication format; and the necessity for editing certain passages in need of clarification, without however altering their basic meaning.

Above all, the works collected in this volume reflect the importance which the Elder consistently attached to prayer, spirituality, community life, worship, and liturgy. Thus the experientially based works "On Prayer", and "The Prayer of the Holy Mountain", which deal primarily with the Prayer of the Heart, appear first, followed by the summary addresses on "The Divine Liturgy", and "Our Church Attendance". These are in turn followed by the more socially oriented discourses on "Our Relations with Our Neighbor", and "Marriage: The Great Sacrament". Finally, the present volume closes with the sermons on "Spiritual Reading" and "The Spiritual Life", which in a simple and yet compelling manner set forth the conditions for "ascending to heaven on the wings of the Spirit".

It is our hope that The Church at Prayer will meet the purpose for which it is issued and will serve as a ready aid and support for those who desire God and eternal life in Him.