A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

John Miljan

John Miljan (Serbian: Јован Миљановић; November 9, 1892 – January 24, 1960) was an American actor of Serbian origin. He appeared in 201 films between 1924 and 1958. He was the tall, smooth-talking villain in Hollywood films for almost four decades, beginning in 1923. He made his first talking debut in 1927 in the promotional trailer for The Jazz Musician inviting audiences to see the upcoming landmark film. In later years he played imposing, authoritative parts such as high-ranking executives and military officers. He is best remembered as General Custer in Cecil B. De Mille's epic The Plainsman.

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He died from cancer in Hollywood, Los Angeles. He was married to Victoire Lowe and adopted her two sons from her first marriage to Creighton Hale, the actor.

Selected filmography:

  • The Lone Chance (1924)
  • Silent Sanderson (1925)
  • The Devil's Circus (1926)
  • The Little Snob (1928)
  • The Unholy Night (1929)
  • Hardboiled Rose (1929)
  • The Woman Racket (1930)
  • The Unholy Three (1930)
  • The Sea Bat (1930)
  • Iron Man (1931)
  • Arsène Lupin (1932)
  • The Rich Are Always with Us (1932)
  • Whistling in the Dark (1933)
  • What! No Beer? (1933)
  • Young and Beautiful (1934)
  • The Ghost Walks (1934)
  • Charlie Chan in Paris (1935)
  • Mississippi (1935)
  • Tomorrow's Youth (1935)
  • Private Number (1936)
  • The Oklahoma Kid (1939)
  • Emergency Squad (1940)
  • Women Without Names (1940)
  • Obliging Young Lady (1942)
  • The Fallen Sparrow (1943)
  • I Accuse My Parents (1944)
  • The Merry Monahans (1944)
  • Back to Bataan (1945, uncredited)
  • Stampede (1949)
  • Samson and Delilah (1949) - Lesh Lakish
  • The Ten Commandments (1956) - The Blind One
  • The Lone Ranger and the Lost City of Gold (1958) - Chief Tomache
  • Dead Men Don't Wear Plaid (1982 - archive footage)

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Ivana Kotov

Ivana Kotov is a multi-oriented vocalist, musician, writer and producer. Winning the highest talent scholarship award, Ivana attended prestigious Berklee College of Music in Boston, USA - majoring in Contemporary Songwriting and Performance.

Over the years, Ivana has been performing as a lead singer, choir director and vocal arranger, contributing her artistry on tours, seminars and music projects around the world.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0