A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Aleksandra Vrebalov

Aleksandra Vrebalov (born September 22, 1970 in Novi Sad, Yugoslavia) is a Serbian composer based in New York City. She studied composition with Miroslav Statkic at Novi Sad University, then with Zoran Erić at Belgrade University, Elinor Armer at the San Francisco Conservatory of Music, and Ivana Loudova at the Prague Academy of Music. She obtained her Doctor of Musical Arts degree from the University of Michigan where she studied with Evan Chambers and Michael Daugherty.

.

A highly regarded musician, she has had residences at the Rockefeller Foundation Bellagio Center, Tanglewood, New York's New Dramatists, MacDowell Colony, and American Opera Projects among others. She has received Awards or Fellowships from the American Academy of Arts and Letters Charles Ives Fellowship, Meet the Composer, Highsmith Composition Competition, Vienna Modern Masters, Serbian Fond for an Open Society, ASCAP Awards, and Douglas Moore Fellowship.

Her early string quartet Pannonia Boundless, evoking eastern European sonorities, has been recorded by the Kronos Quartet on their album Kronos Caravan (1999) and published by Boosey and Hawkes (2007). The Kronos Quartet, with clarinetist David Krakauer, premiered her 40-minute "Babylon, Our Own," commissioned for the 10th anniversary season of the Clarice Smith Performing Arts Center at the University of Maryland in College Park, Maryland, in September 2011.

In her more developed orchestral work Orbits (2002), Vrebalov uses overlapping densities of sonorities and rhythmic proportions such as the Fibonacci series to portray her idiosyncratic post-modern conception of musica universalis.

Her music for the ballet The Widow's Broom (2004) based on Chris Van Allsburg's book has been performed on Halloween by the Festival Ballet Providence.

She has received commissions from Kronos Quartet, Carnegie Hall (co-commission), Barlow Endowment, Festival Ballet Providence, Merkin Concert Hall Zoom Series. Vrebalov is also a co-founder of South Oxford Six, a composers' collective in New York.

In October 2011 her 2-act opera "Mileva," on a libretto by Vida Ognjenović based on her play, was premiered at the Serbian National Theater in Novi Sad, with a repeat performance at the Sava Center in Belgrade as part of the Belgrade Music Festival (BEMUS). The opera was commissioned to mark the 150th anniversary of the Serbian National Theater. The scenario centers on the character of Mileva Marić, the Serbian physicist and mathematician who was Albert Einstein's first wife.

Wikipedia

ПОЛИТИКА ONLINE: Опера о Милеви Ајнштајн


SA

 

People Directory

Mirjana Joković

Mirjana Joković (Serbian Cyrillic: Мирјана Јоковић) (born November 24, 1967) is a Serbian film and stage actress, best known for her role as Natalija Zovkov in Underground, the film of Emir Kusturica (1995). She currently is Director of Performance for Acting and an acting teacher in the Theater Faculty of the California Institute of the Arts near Los Angeles.

Mirjana Jokovic was born in Belgrade, Yugoslavia. She spent her early years in Zambia, where her father was an industrial engineer.

.
Read more ...

Publishing

Treasures New and Old

Writings by and about St. Nikolai Velemirovich

Before us is a book about a theologian, a minister, a missionary, a writer, a poet, an apostle, a saint, a man of dialogue: this book is about St. Nikolai Velimirovic, Bishop of Ohrid and Zhicha (1880 - 1956), who along with his many other attributes is regarded, with good reason, as an Enlightener of the Americas, The renewed interest in this man and his works has resulted in the materialization of this book for English-speaking readers who wish to become acquainted with this extraordinary person. The collected texts provide an extensive over view of his life, present important testimonies about his personality, and offer essential insights into his theology. The authors penetrate the depths of his thought with remarkable precision and also elucidate his actions. The authros agree that the appearance of Nikolai Velimirovich marks an era of change in the ecclesiastical and theological paradigm as a result of his spirituality, ecclsiastical work, and theological position.