A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Milica Paranosic

Critically acclaimed composer Milica Paranosic has established herself as one of New York’s finest and most daring composers, performance artists, producers, and technologists. Her music was described as “Amazing…astonishing,” (The New York Times), “Like liquor-filled pralines,” (Germany’s Morgenpost), and “A painter, musical Jackson Pollack,” (SEAMUS). Milica’s works range from one-woman multimedia shows and sound installations to operatic and symphonic works. Inspired by her travels and international collaborations, Milica imaginatively incorporates music of her Serbian homeland in addition to cross-continental muses such as Brazil, Ghana and China, always striving to create new sound worlds in which contrasting concepts vividly coexist in unique textures.

Milica is recipient of many honors and awards; her work was commissioned by major NYC organizations such as American Composers Orchestra, New Juilliard Ensemble, VisionIntoArt and Buglisi Dance Theater and has appeared at stages of Symphony Space, Zankel Hall/Carnegie, Alice Tully Hall/Lincoln Center, BAM café, Bohemian National Hall and many others. International and intercontinental highlights include BEMUS (Belgrade, Serbia), EtnaFest (Catania, Italy) and Internacional De Música Contemporânea Ppgmus-Ufba, (Bahia, Brazil). Her recent commission by the American Composers Orchestra's for an opener of their 2012-13 season at the Carnegie’s Zankel Hall, was co-sponsored by the LVMH Moët Hennessy • Louis Vuitton.

Milica’s Film scores include original score for Cure by Andrea Staka and Prokleta je Amerika by Boban Skerlic.

Since 1995, Milica has been on the music faculty of The Juilliard School where she co-founded and produced Beyond the Machine, Juilliard’s Festival of Electronic Music. She has taught and created curricula in varied settings such as Belgrade Music University, San Diego State University, Franklin Marshall College, Brotherhood Sister Sol, and 92nd Street Y. She maintains an active private teaching studio, working with professional musicians and beginners, ranging from 5 to 93. Furthering her deep commitment to education and outreach, Milica founded Give to Grow, an education initiative, which brings music technology to developing communities in Ghana.

Milica is a current associate director of Composers Concordance, advisory board member at Composers Now and Miolina, music director of Gallery MC, and founder and CEO of Paracademia LLC and ifounder and executive director a non-profit for Music and Arts educaiton and perfomance, Paracademia Center, Inc.

Source: Official Web Site


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People Directory

Nemanja Bala

Nemanja Bala (writer/director/producer) was born and raised in the former Yugoslavia. At the age of nineteen, he received a tennis scholarship to study in the United States at the University of Hartford, where he majored in film studies and began making short fiction and documentary films. His work has been shown on Serbian National Television and the festival circuit. While at Columbia University’s Graduate Film Division, he concentrated in screenwriting and received his MFA in 2006.

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Publishing

Serbian Americans: History—Culture—Press

by Krinka Vidaković-Petrov, translated from Serbian by Milina Jovanović

Learned, lucid, and deeply perceptive, SERBIAN AMERICANS is an immensely rewarding and readable book, which will give historians invaluable new insights, and general readers exciting new ways to approach the history​ of Serbian printed media. Serbian immigration to the U.S. started dates from the first few decades of 19th c. The first papers were published in San Francisco starting in 1893. During the years of the most intense politicization of the Serbian American community, the Serbian printed media developed quickly with a growing number of daily, weekly, monthly and yearly publications. Newspapers were published in Serbian print shops, while the development of printing presses was a precondition for the growth of publishing in general. Among them were various kinds of books: classical Serbian literature, folksong collections, political pamphlets, works of the earliest Serbian American writers in America (poetry, prose and plays), first translations from English to Serbian, books about Serb immigrants, dictionaries, textbooks, primers, etc.

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