A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Željko Lučić

Željko Lučić (born 24 February 1968) is a Serbian operatic baritone who has had an active international career since 1993. He was a member of the Serbian National Theatre in Novi Sad from 1993–1998 and at the Frankfurt Opera from 1998-2008. He is particularly well known for his performances in the operas of Giuseppe Verdi; having portrayed a total of 23 leading roles from the great composer's works.

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Born in Zrenjanin, Lučić was a member of conductor Slobodan Bursać's Josif Marinković Mixed Choir in his native city while he was a teenager. Bursać encouraged him to pursue a career as a soloist and encouraged him to study singing with Dorotea Spasić in Belgrade. After studying for some years with Spasić, his teacher sent him to the voice studio of the famous mezzo-soprano Biserka Cvejić at the Music Academy in Novi Sad in 1991. Cvejić became his primary teacher and mentor, and in less than two years studying with her, he was offered a contract with the Serbian National Theatre in Novi Sad. In 1995 he won first prize at the international music competition in Bečej, and in 1997 he won first prize at the Francisco Viñas International Singing Competition in Barcelona.

Lučić made his professional opera debut in April 1993 as Silvio in Ruggero Leoncavallo's Pagliacci at the Serbian National Theatre in Novi Sad. He was soon seen at that theatre as Belcore in Gaetano Donizetti's L'elisir d'amore, Enrico in Donizetti's Lucia di Lammermoor, Germont in Giuseppe Verdi's La traviata, Lionel in Pyotr Ilyich Tchaikovsky's The Maid of Orleans, Valentin in Charles Gounod's Faust and the title role in Tchaikovsky's Eugene Onegin.

In 1998 Lučić joined the roster of principal artists at the Frankfurt Opera where he remained committed through 2008. There he sang a broad repertoire, but drew particular acclaim as a Verdi baritone. Some of the Verdi roles which he has sung in Frankfurt are Amonasro in Aida, the Count di Luna in Il trovatore, The Duke of Nottinghamin Donizetti's Roberto Devereux, Ezio in Attila, Germont, Guy de Montfort in Les vêpres siciliennes, and Renato in Un ballo in maschera. Other roles which he has sung with that opera company are Count Almaviva in Wolfgang Amadeus Mozart's The Marriage of Figaro, Eugene Onegin, Lescaut in Giacomo Puccini's Manon Lescaut, Marcello in Puccini's La bohème, Michonnet in Francesco Cilea's Adriana Lecouvreur, Prince Ivan-Korolevich in Nikolai Rimsky-Korsakov's Kashchey the Deathless, Sharpless in Puccini's Madama Butterfly, and Simone in Mozart's La finta semplice among others.

Lučić has also appeared as a guest artist with numerous major opera houses internationally. He made his debut at the De Nederlandse Opera in 2002 in the roles of Guy de Montfort and Marcello. He sang Germont for his first appearance at the Aix-en-Provence Festival in 2003 and that same year sang the Count di Luna for his debut at the Teatro Comunale Florence.

In 2006 he made his debut at the Metropolitan Opera as Barnaba in Amilcare Ponchielli's La Gioconda with Violeta Urmana in the title role and Bertrand de Billy conducting. He has since returned to that house as Verdi's Germont, Michele in Puccini's Il tabarro, and in the title roles of Verdi's Macbeth and Verdi's Rigoletto. He was scheduled to return to the Met for the 2010-11 season as Rigoletto and the Count di Luna.

From Wikipedia


Serbian baritone Željko Lučić made his San Francisco Opera debut in 2004 as Giorgio Germont (La Traviata) and returned in 2005 as Don Carlo (La Forza del Destino). His engagements in the 2011–12 season include the title role of Nabucco at the Metropolitan Opera, Scarpia (Tosca) and Iago (Otello) in Frankfurt, the title role of Rigoletto at Paris Opera and in Cologne, Miller (Luisa Miller) at Munich’s Bavarian State Opera, and Scarpia and Germont at the Vienna State Opera. Other recent career highlights include Count di Luna (Il Trovatore), Rigoletto, the title role of Macbeth, Michele (Il Tabarro), Germont, and Enrico (Lucia di Lammermoor, on tour) at the Met, Scarpia at Milan’s La Scala, Don Carlo (La Forza del Destino) at the Bavarian State Opera, Nabucco in Vienna and Frankfurt, the title role of Simon Boccanegra in Frankfurt, Macbethat the Salzburg Festival, Iago at Deutsche Oper Berlin, and Germont at the Royal Opera, Covent Garden. Lučić’s other successes include Macbeth, Miller, and Germont at the Bavarian State Opera; Zurga (Les Pêcheurs de perles) and Rigoletto at Madrid’s Teatro Real; Germont at the Vienna State Opera; Barnaba (La Gioconda) at the Met; Nabucco with the Dallas Opera; Count di Luna with the Paris Opera; and Sharpless (Madama Butterfly) at Covent Garden, among many others.

From San Francisco Opera


Behind the Voice Željko Lučić on Rigoletto - San Francisco Opera Youtube Channel


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People Directory

Rastko Petrović

Rastko Petrović (Belgrade, 1898 – Washington, D.C., 1949), poet, novelist, travel writer, essayist, etnographer, giffted sketcher, camerman and photographer. He graduated law in France, and on his return to Yugoslavia he worked as an art and literary critic. After this he was employed in the diplomatic service and posted to Italy and the USA. He is considered to be one of the most important and most influential Serbian writers in the period between the two world wars.

Major works: The Burlesque of Lord Perun the God of Thunder (Burleska Gospodina Peruna Boga Groma, 1921, fiction), Revelation (Otkrovenje, 1922, poems), Africa (Afrika, 1930, travel book), People Talk (Ljudi govore, 1931, fiction), Day the Sixth (Dan šesti, 1961, novel).

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Publishing

Emmanuel

The Only Begotten and Firstborn among Many Brethren

by Bishop Athanasius Yevtich

In Emmanuel, the second anthology of Bishop Athanasius' articles to appear in English, His Grace explores themes of Orthodox Christology, Soteriology, Ecclesiology, and Gnoseology. How can we know Who God is? How can we know who we are, as human persons created in His image and likeness? How can we become one with Him? Bishop Athanasius examines these and other foundational questions in depth in this volume, drawing from a wealth of Scriptural and patristic sources. In discussing diverse theological subjects, he always returns to his overarching theme: the communion that man can have with God through Jesus Christ the God-man, within Christ's Church and above all in the Holy Eucharist. His exquisite and unique way of engaging the reader in mutual dialogue, with the living Eucharistic experience permeating his every thought, instills in the reader a burning desire for that communion.

Soft-bound
Contemporary Christian Thought Series, No. 3 - First Edition
229 pages
ISBN 978-0-9719505-4-2