A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Milica Bakić-Hayden

Lecturer
PhD, University of Chicago, 1997

2612 Cathedral of Learning
412.624.5989, e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Fields
Religion and society in the Balkans and South Asia, topics in comparative religion

Teaching
Eastern Orthodoxy, Mysticism East and East, Saints East and West, Religions of India I, Religions of India II: Storytelling as a Religious Form, Christian-Muslim Relations

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Selected Publications

  • "Empires are Us: Identifying with Differences," in Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeast Europe, edited by Tea Sindbaek and Maximilian Hartmuth, Berlin: LIT Verlag, 2011.
  • “St. Sava and the Power(s) of Spiritual Authority,” Serbian Studies 24.1-2 (2010): 49-62.
  • “Teoloska antropologija zene: pravoslavna perspektiva” (“Theological Anthropology of Woman: An Orthodox Perspective”) in I vjernice i gradjanke (Women as Believers and Citizens), edited by Zilka Spahic-Siljak and Rebeka Anic, Sarajevo: TPO Foundation, 2009
  • "Two Methods of Contemplation: Yoga and Hesychast Prayer," Glasnik Etnografskog Instituta SANU (Herald of the Ethnographic Institute of the Serbian Academy of Sciences and Arts) LV/2 (2008)
  • Varijacije na temu 'Balkan' [Variations on the Theme 'Balkans'], Belgrade: Filip Višnjić, 2006
  • "Kosovo: Reality of a Myth and Myth of Many Realities," in Serbien und Montenegro, Vienna: Österreichische Osthefte, 2006
  • "The Aesthetics of Theosis: Uncovering the Beauty of Image," in Aesthetics as a Religious Factor in Eastern and Western Christianity, edited by W. van den Bercken and J. Sutton, Leuven: Peeters Publishers, 2006
  • "National Memory as Narrative Memory: The Case of Kosovo" in National Memory in Southeastern Europe, edited by Maria Todorova, London: Hurst & Co., 2004
  • "What's so Byzantine about the Balkans?" in Balkan as Metaphor, edited by D. Bijelić and O. Savić, Massachusetts Institute of Technology Press, 2002
  • "Nesting Orientalisms: The Case of Former Yugoslavia," Slavic Review 54 (1995)
  • The World on the Turtle's Back: Myths, Legends and Stories of the Iroquois, 1991 [translator]
  • The Painter of Signs by R.K. Narayan, 1986 [translator]

Honors and Awards

  • Executive Board member, North American Society for Serbian Studies, 2010 to date
  • Elected, President of the North American Association of Serbian Studies, 2008
  • Elected, Vice President of the North American Association of Serbian Studies, 2006
  • United States Institute of Peace Fellowship for the project "On Common Ground: Christianity and Islam in the Balkans," 2005-2006
  • National Council for Eurasian and East European Research, Policy Research Fellowship, 2001-2002

Current Projects

  • A member of international and multidisciplinary project on "Antagonistic Tolerance: Competitive Sharing of Religious Sites" [in Turkey, Bulgaria, Portugal, Peru and Mexico; 2009-2012]. Project Director: Robert M. Hayden, Anthropology, University of Pittsburgh.
  • “Contemporary Culture and New Religiosity: Strategies of Individual and Collective Identities” (in Serbia), with Dr. Aleksandra Pavičević, Ethnographic Institute of Serbian Academy of Sciences and Arts, Belgrade. A three-year collaborative research project culminating in an edited volume.
  • A collection of essays on Indological themes (book ms)

University Affiliations
Core faculty member of the Indo-Pacific Studies Program, Asian Studies Center and Center for Russian and East European Studies of the University Center for International Studies

Interview
Magazine Vreme (Serbian)

From University of Pittsburgh


SA

 

People Directory

Marina Abramović

Marina Abramović (Serbian Cyrillic: Марина Абрамовић; born November 30, 1946 in Belgrade) is a New York-based Serbian performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the "grandmother of performance art". Abramović's work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind.

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Publishing

Христос – Нова Пасха – Божанствена Литургија

Serbian Edition, author Bishop Athanasius Yevtich (издање на српском језику, аутор епископ Атанасије Јевтић)

Период двадесетог века представљао је врло комплексно раздобље везано за развој литургијско-богословске мисли у нашој помесној Цркви. Осећајући насушну еклисијалну и пастирску потребу да поменуту мисао надгради и истовремено је учини приступачнијом народу Божијем, епископ Атанасије Јевтић се одлучио да понуди тротомно дело под насловом: Христос – Нова Пасха – Божанствена Литургија. Иако се објављивање трећег тома тек очекује, сматрамо да богословској и читалачкој пажњи треба представити два тома који су већ изашли.

Сложени назив овог епохалног издања, које може бити препознато као „српска литургијска стромата двадесет и првог века“, аутор је начинио на основу одељка из Прве Посланице Коринћанима светог апостола Павла: Јер се Пасха наша Христос жртвова за нас (1Кор 5, 7). Дело се састоји из два тома и намењено је, према речима епископа Атанасија, „богобојажљивим и христочежњивим љубитељима Божанских Тајни, усрдним учесницима Свете Литургије и причесницима Богочовечанских Светиња“. Наиме, у њему су сабрани текстови о Светој и Божанственој Евхаристији од најранијих времена Цркве Христове (првог века) све до савременог доба, а сâм циљ јесте „раскривање литургијских, еклисиолошких, космичких и есхатолошких димензија Светајне Христа и Његове Цркве“. Највећи део сабраних литургијско-светоотачких текстова се по први пут појављује на српском језику, благодарећи преводилачком и прегалачком труду епископа Атанасија. Уз то, веома су драгоцени његови оригинални коментари. Треба истаћи да су оба тома штампана са тврдим корицама у штампарији Интерклима Графика у Врњачкој Бањи.

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