A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

George Glamack

George Gregory Glamack (June 7, 1919 – March 10, 1987) (born in Johnstown, Pennsylvania) was an American basketball player of Serbian origin, from Lika. A 6'6" forward-center, Glamack attended the University of North Carolina at Chapel Hill. Glamack, an All-American in 1940 and 1941, was nicknamed the Blind Bomber because he was an inspiration to those fond of individuals overcoming adversity. The Spaulding Guide noted that "Glamack, who is ambididextrous when on the court, is also so nearsighted that the ball is merely a dim object, but apparently he never looked where he was shooting, depending upon his sense of distance and direction." The secret of "The Blind Bomber" was looking at the black lines on the court. By doing that he knew where he was in reference to the basket and measure the shot.

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He scored 45 points against Clemson in 1941, still the fourth-highest total in UNC history. That year, he led UNC to a Southern Conference championship and the NCAA tournament. In both 1940 and 1941 he won the Helms Foundation Player of the Year which was the only MVP award of that time. He is one of eight players to have his jersey number retired by UNC, the others being Jack Cobb, Lennie Rosenbluth, Phil Ford, James Worthy, Michael Jordan, Antawn Jamison, and Tyler Hansbrough.

Glamack had a modest professional career in which he was one of the keys who led the Rochester Royals to a pair of National Basketball League championships.

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James Scully

James Scully is the author of 10 books of poetry, including Donatello’s Version (Curbstone Press/Northwestern University Press, 2007), four book-length translations, the seminal essay collection Line Break: Poetry as Social Practice (Curbstone Press/ Northwestern University Press, 1988/2005), and Vagabond Flags: Serbia & Kosovo: Journal, Scrapbook & Notes (Azul Editions, 2009). The founding editor of Art on the Line series (Curbstone Press, 1981-1986), he has been a key figure in the movement to radicalize the theory and practice of American poetry—in how it is lived as well as in how it is written.

Born in 1937 in New Haven, CT, Scully lives in Vermont with his wife, Arlene. They’ve been married since 1960 and have a son, John, and a daughter, Deirdre. His awards include a National Defense Fellowship 1959-1962; an Ingram Merrill Foundation Fellowship (Rome, Italy 1962-63); the Lamont Poetry Award 1967 for The Marches; the Jenny Taine Memorial Award 1971 for translation; a Guggenheim Fellowship (Santiago, Chile 1973-74); National Endowment for the Arts Fellowships 1976-77 and 1990; the Islands & Continents Translation Award 1980; and the Bookbuilders of Boston Award 1983 for book cover design.

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Publishing

On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.