A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Tesla: The Musical

Tesla: The Musical is a full-length, all-original rock opera about the life, mind, and legacy of turn-of-the-century inventor Nikola Tesla.

On July 10th, 1856, a boy was born at midnight during a lightning storm in present-day Croatia. Twenty-eight years later, he would come to America with virtually nothing but his education and a mind unlike any other. He would change the world forever with alternating current – the form of electricity we use to this day. He would go toe-to-toe with Thomas Edison, one of the most powerful men on the planet, who did everything he could to get in his way. He would suffer from mental illness in a time before proper diagnosis and treatment were available. He would be admired by scores of women but would never marry or have children, as he feared they would distract him from his work. He would fail at just as many endeavors as he succeeded at. Because he took no royalties for his AC patents, ensuring that safe, cheap electricity would reach every corner of the globe, he would die broke, alone, and insane. After his death he would be largely forgotten as he left behind no companies or children.

His name was Nikola Tesla. This is his story – the man, the myth, the musical.

Interview: Tesla Musical in making: Teslians Aaron Guzzo and Miroslav Vejnovic about musical in making

Production Team: Aaron Guzzo, composer, musical director, and screenwriter, and Craig Hissong, lyricist


SA

 

People Directory

Oksana Germain

Oksana Germain completed her Bachelor’s degree in May of 2018 at the Eastman School of Music in the studio of Nelita True. Currently, she is attending Anton Bruckner Privatuniversität in Linz, Austria as a graduate student in the studio of Oleg Marshev. Her childhood dream of playing piano with a symphony orchestra came true when she was chosen as one of the San Diego Symphony’s Young Artist “Hot Shots” Competition winners in 2010. She performed Beethoven's Piano Concerto No. 1, 1st movement with the San Diego Symphony at their 100 Year Anniversary Gala in December of that year. She was also invited to perform in the San Diego Symphony's Children's Concert Series “Bravo, Beethoven!” in May, 2010. Oksana also performed in the La Jolla Music Society's Discovery Series Prelude Concerts in 2012, and was a regularly featured performer for the Music 101 Radio broadcast on San Diego’s classical station 104.9 FM. In addition, she has been a featured soloist with the Tifereth Israel Community Orchestra performing Addinsell’s Warsaw Concerto and Beethoven’s Concerto No. 3.

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Publishing

Notes On Ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.