A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Objavljena knjiga sa Teslinim prevodima Zmajeve poezije na engleski jezik

Prevodi Nikole Tesle na engleski jezik poezije Jovana Jovanovića Zmaja objavljeni su u knjizi Vladimira Todorovića i Sime Matića, “Zagrljaj Tesla i Zmaj/An Embrace Tesla and Zmaj”.

Knjiga donosi prevode 13 Zmajevih pesama, kao i Teslin esej pod naslovom “Zmai Ioan Iovanovich the Chief Servian Poet of Today/Zmaj Jovan Jovanović, vodeći srpski pesnik današnjice”, a naš naučnik je to publikovao u periodu od 1894. do 1897. godine, u njujorškom časopisu za kulturu “The Century Magazine”, naveo je jedan od autora knjige Vladimir Todorović.

U ovom poduhvatu je Tesli pomoć pružilo nekadašnje značajno ime američkog pesništva, docnije i diplomatije, Robert Andervud Džonson. Naime, Džonson je Tesline prevode Zmajevih stihova uveo u formu stiha, s tim da ih je uvrstio i u malu antologiju pesama, zajedno sa izborom savremene poezije Grčke, Poljske, Italije i Irske.

Priloge za knjigu napisali su i akademik Matija Bećković i predsednik Matice srpske profesor dr Dragan Stanić, koji je potpisan pesničkim pseudonimom Ivan Negrišorac, a korišćen je i tekst našeg pokojnog profesora na Univerzitetu Severna Karolina dr Vase D. Mihailovića.

Knjigu “Zagrljaj Tesla i Zmaj/An Embrace Tesla and Zmaj” je objavila Izdavačka kuća “Tiski cvet” iz Novog Sada.

Nikola Tesla i Jovan Jovanović Zmaj susreli su se prilikom jedine Tesline posete Beogradu, 2. jula 1892. godine, kada je vozom, preko Novog Sada, došao u Srbiju, a u Beogradu je tom prilikom organizovan svečani doček.

Rečima dobrodošlice i sa velikim oduševljenjem Teslu je dočekao srpski kralj, mnogi znameniti ljudi tog vremena i brojni građani koji su došli da pozdrave čuvenog genija, a jedan od govornika na toj svečanosti bio je niko drugi do omiljeni pesnik Teslin, Jovan Jovanović Zmaj.

On je naučnika pozdravio stihovima, što je ujedno bio i jedini put da Zmaj javno čita svoje pesme. Tesla, iskreno dirnut ovim susretom, prišao je pesniku i poljubio mu ruku i rekao:

“Kad mi je bilo najteže u Americi i kada sam bio od svih odbačen i neshvaćen, s gorkim suzama sam čitao Vašu poeziju, a sada Vam obećavam da ću Vaše stihove prevesti na engleski jezik i u Americi objaviti”.

Po povratku u Ameriku, Tesla se sa strašću bacio na prevođenje Zmajevih pesama i počeo da piše o srpskoj istoriji. Tako je nastao i Teslin esej iz 1897. godine o gorkoj sudbini srpskog naroda, u kome Tesla koristi i Zmajeve stihove i misli zajedno sa svojim interpretacijama kosovske i pokosovske tragedije srpskog naroda.

Teslini prevodi pesama objavljeni su u čuvenom američkom časopisu „Vek” (The Century Magazine). U istom je magazinu izašao i Teslin tekst posvećen Jovanu Jovanoviću Zmaju, u kome je Tesla američkim čitaocima doneo detaljnu biografiju velikog pesnika i otkrio do tada neke nepoznate detalje koji se tiču početaka Zmajevog književnog rada.

Zahvaljujući Nikoli Tesli, Zmaj je postao prvi srpski književnik koji je preveden i objavljen u SAD.

Zmajeva pesma posvećena susretu sa Nikolom Teslom:

Ne znam šta je, je l suština,
Il to čini samo miso-
Čim smo čuli: dolaziš nam,
Odmah si nas elektrisao.

Na sto žice sprovodnice,
Elektrika juri sirom,
vazduhom će biti spoja
(posle možda i etirom)

-Stoji stablo, stoji Srpstvo,
Majka svakom listu-sinu,
Najsvežiji list mu trepnu
pa odleti u daljinu.

Ti nam, Tesla, ti vrlice,
Ode letom jače struje
U daleku Kolumbiju,
da ti munje kolumbuje.

I ti, Tesla, u kojem se
Ispolinske misli roje,
Tebe vraća neodolje,
Da poljubiš stablo svoje.

Ljubi stablo, dojčine mu,
Sisni dojku, sisni vrli.
Svaka grana srpskog stabla
Tesli tepa, Teslu grli.

Beograd je danas sretan
Rukujuć`se s srpskom dikom
I otkriva srce svoje
Pred Srbinom velebnikom.

No ti moraš opet natrag
-Sastanak nam kratko traje-
Al`toplotu nosi sobom
Bratinskog zagrljaja.

Ostvarena jmiso tvoja
Miso divna i golema:
Među nam biće veza,
A daljina nema, nema.

Razumeće listak svezi
Svaku žilu svoga stabla,
(Elektrika nasih srca)
I bez žica i bez kabla.

Izvor: Serbian Times


SA

 

People Directory

Bishop Georgije (Djokić)

(1984–2015)

Bishop Georgije, baptized Djordje Djokić, was born on May 6, 1949 in the village of Crnjelovo, Bjeljina, of parents Krsto and Krunija. After elementary school he resided in the monasteries Tavna, Ozren and Kosijerevo. He completed monastic school in the Monastery of Transfiguration 1963/1964. From Savina Monastery he went to the Studenica Monastery and remained until 1966 when he went to School at the Ostrog Monastery. After finishing Monastic School he was tonsured into monastic rank at the Monastery Ozren on February 11, 1971 and was given the monastic name Georgije. He was ordained hierodeacon on February 15, 1971. In June 1971, he was appointed spiritual father of Tavna Monastery by Bishop Longin. From there he graduated from the Seminary in Sremski Karlovci and the Faculty of Orthodox Theology in Belgrade. While in England, Fr. Georgije was appointed by Bishop Lavrentije to serve the parish of Sts. Peter and Paul in Derby, England. While there he was elected Bishop for the Canadian Diocese, on May 16, 1984. On June 8, 1984, he was consecrated a bishop by Patriarch German and installed in 1984 at the St. Nicholas Cathedral in Hamilton.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0