A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Milutin Lazich

Milutin Lazich, 1941-2026, beloved husband, father, grandfather, and uncle entered eternal rest on Monday, February 9, 2026. Along with his family, music was his joy, devotion, and passion.

Milutin was born in Belgrade, Yugoslavia and moved to the United States as a young boy. He attended and received a BFA and Master’s degree in Vocal Pedagogy and Choral Conducting from Indiana University in Bloomington.

Milutin, a basso profundo, was a Professor Emeritus of Voice and Director of Choirs at Clarion University of Pennsylvania where he taught, conducted and performed for over 40 years. While there, he met and married his wife Natasha who he met at a SSF choral festival in Cleveland.
Milutin’s singing took him throughout the world performing leading roles in Italy, Germany and here in the tri-state area with Opera Theater of Pittsburgh, Belgrade National Opera among others. As an excellent actor, he was well known for his Musical Theater portrayals, especially his signature role of Tevye in Fiddler on the Roof and Emile de Becque in South Pacific. He was well known as a bass soloist with different orchestras throughout the country including performing with the Pittsburgh Symphony, Mendelssohn Choir, West Virginia Symphony, among countless others.

As a teacher and conductor he mentored, taught, and coached many students who thought of him and called him “Tata”. He was a culture bearer and expert in all Serbian music and choral literature, both sacred and secular. He arranged and composed many choral works. Through teaching, conducting, and educating church Serbian singers and choirs, as well as secular choral organizations, he was a major advocate of bringing Serbian Choral music into the mainstream choral repertoire.

He is survived by his wife Natasha, his children Snezana and Dimitrie (Maria), his grandchildren Natalie, Kaya and Matteo, and several nieces and nephews.


SA

 

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Luka Erceg

Luka Erceg, JD, LLM, MBA, CIRA
linkedin.com/in/lerceg

Luka Erceg is a Canadian-born, American entrepreneur who has focused on sustainable/clean tech ventures. He holds a Juris Doctorate (J.D.), Master of Laws (LL.M.), Master of Business Administration (M.B.A.), and Bachelor of Marketing (B.Com.). He is a Certified Turnaround Professional (C.T.P) through the Turnaround Management Association (T.M.A.), a Certified Insolvency and Restructuring Advisor (C.I.R.A.) through the Association of Insolvency and Restructuring Advisors (A.I.R.A.) and holds the Series 65 license from the North American Securities Administrators Association (NASAA).

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0