A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Film "Crna Zorica" u Americi

Crna Zorica

Dugometražni igrani film "Crna Zorica" reditelja Radoslava Pavkovića i Hristine Hadžiharalabus imaće američku premijeru u zvaničnoj selekciji festivala "Sinekvest" (Cinequest), koji je u toku u San Hozeu u Kaliforniji.

Festival je počeo 26. februara i traje do 10. marta. Naš film učestvuje u selekciji "Global Landscapes Film Competition" i imaće tri projekcije, a predviđen je i razgovor publike sa autorima.

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Neki od uglednih gostiju ovog festivala su nobelovac Salman Ruždi, glumac Harison Ford, pisac Čak Palenik...

Posle "Sinekvesta" film "Crna Zorica" učestvovaće na festivalu u Feniksu u Arizoni.

„Crna Zorica“ je crnohumorna bajka o ukletoj devojci koja donosi nesreću svakom ko se u nju zaljubi. U filmu igraju Branislav Trifunović, Ljuma Penov, Mirjana Karanović, Nikola Pejaković, Mihajlo Miša Janketić, Olga Odanović, Zoran Cvijanović, Miloš Samolov, Dobrila Stojnić, Mladen Andrejević, Dubravko Jovanović i Stefan Bundalo.

Producent filma je "Super Films Int." iz Beograda, a koproducenti su kompanije iz Poljske, Grčke i sa Kipra.

From B92

16. mart 2013.

Dugometražni igrani film "Crna Zorica" reditelja Radoslava Pavkovića i Hristine Hadžiharalabus dobio je nagradu "Global Vision Award" za najbolji inostrani film na tek festivalu "CineQuest" u San Hozeu (Kalifornija).

Film je imao tri projekcije, kao i projekciju na bis, a publika je film toplo pozdravila i dugo se zadržala u razgovoru sa autorima, saopštio je danas beogradski producent "Super Films Int".

"Crna Zorica" je bila i favorit kritike na američkom festivalu. Popularni bloger Fil Kastor je pisao o tom filmu kao o jednom od najduhovitijih i o "humoru apsurda koji je zavoleo u trenutku".

Njegov kolega Džejson Viner je posle trećeg dana proglasio "Crnu Zoricu" favoritom festivala."Sinekvest" je prikazao više od 200 filmova iz celog sveta. Neki od uglednih gostiju ovog festivala bili su nobelovac Salman Ruždi, glumac Harison Ford, pisac Čak Palenik...

Priznanje u San Hozeu je treća nagrada ove godine za film "Crna Zorica", koji nastavlja festivalski život u Americi na festivalu u Feniksu (Arizona) sledećeg meseca.

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Gojko Vuckovic

Gojko Vuckovic

The longtime member and supporter of NASSS, Dr. Gojko Vuckovic(61) passed away on October 11, 2013 in Los Angeles, after a brief battle with gastric cancer. Dr. Vuckovic was buried at the Serbian Cemetery in Los Angeles, officiated by Father PetarJovanovic.

Dr. Vuckovic received his B.A. from the University of Belgrade. After arriving to the United States, he received a M.S.M.from the Arthur D. Little School of Management, Cambridge, Massachusetts(1990) and a M.P.A. from Harvard University, Cambridge, Massachusetts (1991). Healso received his Ph.D. from the University of Southern California (USC), School of Public Administration, Los Angeles, California(1996) with a concentration in the areas of comparative politics and administration.

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Publishing

Sailors of the Sky

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0

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