A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Serb Unity Congress Summer Camp in Serbia

Serbian Unity Congress Serbia, in cooperation with monastery Studenica and Studenica Foundation from America and with support of the Serbian Orthodox Church and Bishop Jovan from Sumadia organizes summer camps in Serbia, in July and August, for students aged 14-18. years.

Children will learn the Serbian language, history and culture, visit the tourist attractions of Serbia, have workshops with famous athletes and personalities from the public sphere.

Camps are organized during 1-14. and July 1-14. August. Capacity is 30-50 students per group.

Reservations will be taken as they arrive and will be closed once the total reaches 50.

Please find enclosed offer in Serbian and English language and the support of the Serbian Orthodox Church and Bishop John from Sumadia.

For more informations click here.

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Bojan Bazelli

Bojan Bazelli is a Montenegrin cinematographer and music video director born in Herceg Novi, Montenegro. His credits include the films The Ring, Mr. & Mrs. Smith, and director Adam Shankman's Hairspray, as well as Mariah Carey's music video "Vision of Love". Other feature credits include The Rapture, Deep Cover, King of New York, Kalifornia, and Dangerous Beauty.

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0

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