A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Miroslav Tadić

Miroslav Tadić
Guitarist, composer and improviser Miroslav Tadic completed his formal music education in the United States after studying in Italy and his native Yugoslavia.

He has performed and recorded in a wide variety of settings and musical styles, ranging from music of the Baroque and Classical periods to Blues, Jazz, and Rock.

Tadic's performing and recording credits include projects with Mark Nauseef, The Los Angeles Opera with Placido Domingo, Howard Levy, Joachim Kühn, L. Shankar, Markus Stockhausen, Dusan Bogdanovic, Vlatko Stefanovski, Teofilovic Brothers, Wadada Leo Smith, David Torn, Maria João, Jack Bruce, The Grande Mothers, Theodosii Spassov, Kudsi Erguner, Djivan Gasparyan, Pandit Swapan Chaudhuri and Ustad Ashish Khan, among others.

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Zora Mihailovich

Zora Mihailovich
Zora Mihailovich is an Artist-in-Residence at the University of Rochester. She did her undergraduate through postgraduate studies at Belgrade School of Music and Academia di Musica "Santa Cecilia" Rome (Italy). She has studied with Carlo Zecchi, Arturo Benedetti Michelangelli and Daniel Pollack. She made her debut with the Belgrade Philharmonic Orchestra at age sixteen. Ms. Mihailovich has given performances in major music centers in North America and Europe including London's Wigmore Hall, New York's Carnegie Hall, London's Royal Festival Hall, Washington's DAR Constitution Hall, Amsterdam Concertgebouw, Warsaw's Philharmonic Hall, and Brussel's Conservatoire Royal, among others..

Nikola Resanovic

Nikola Resanovic
Nikola Resanovic (born 1955) is an American composer and professor of music. He is the winner of the 2003 Cleveland Arts Prize in Music and is one of Ohio's best known living composers.

In 1955, he was born in Derby, England. Resanovic moved to the United States where he has been a naturalized citizen since 1976. He holds degrees from the University of Akron and the Cleveland Institute of Music. He is currently a Professor of Music and the University of Akron.

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Miloš Raičković

Miloš Raičković
Milos Raickovich (Милош Раичковић, Miloš Raičković), composer and conductor, was born in Belgrade (Serbia, Yugoslavia), in 1956. He has lived and worked in Belgrade, Paris, Los Angeles, Honolulu, Hiroshima and New York, where he now resides. While in Belgrade, Milos Raickovich was the founder of the Ensemble for Other New Music (1977), as well as one of the founders of the Belgrade Youth Philharmonic, later known as the Borislav Pascan Youth Philharmonic (1977). He has also worked as an assistant conductor at the Belgrade Opera House.

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Katarina Miljković

Katarina Miljković
Composer Katarina Miljkovic investigates interaction between science, music and nature through collaborative musical performance. This interest led her to the mathematician Benoit Mandelbrot's essay The Fractal Geometry of Nature and self-similar complex structures resulting in the cycle, Forest, “…a dreamy piece, along the lines of Feldman or Brown, entirely captivating (Signal to Noise). Her generative music has been described as a refined, hypnotic dream (Danas) a work of musical and visual slow-motion with only a few delicately elaborated musical metaphors (Radio Belgrade), "ambient tone poem... that moved hypnotically through the sonic frame" (Lucid Culture).

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Milena Kitić

Milena Kitić
A star of the Belgrade, Yugoslavia Opera, Milena Kitic made her operatic debut in 1989, as Olga in Tchaikovsky's "Eugene Onegin." She performed at the National Theater in Belgrade for 8 years in a wide range of roles: from Rosina in Rossini's "Il Baribiere di Siviglia", Cherubino in Mozart's "Le Nozze di Figaro", Preziosilla in Verdi's "La Forza del destino", Fenena in "Nabucco'', to the title role of Carmen and Principessa de Buillon in Cilea's "Adiana Lecouvreur."

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Željko Lučić

Željko Lučić
Željko Lučić (born 24 February 1968) is a Serbian operatic baritone who has had an active international career since 1993. He was a member of the Serbian National Theatre in Novi Sad from 1993–1998 and at the Frankfurt Opera from 1998-2008. He is particularly well known for his performances in the operas of Giuseppe Verdi; having portrayed a total of 23 leading roles from the great composer's works.

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Milica Paranosic

Milica Paranosic, photo by Rosalie O'Connor
Critically acclaimed composer Milica Paranosic has established herself as one of New York’s finest and most daring composers, performance artists, producers, and technologists. Her music was described as “Amazing…astonishing,” (The New York Times), “Like liquor-filled pralines,” (Germany’s Morgenpost), and “A painter, musical Jackson Pollack,” (SEAMUS). Milica’s works range from one-woman multimedia shows and sound installations to operatic and symphonic works. Inspired by her travels and international collaborations, Milica imaginatively incorporates music of her Serbian homeland in addition to cross-continental muses such as Brazil, Ghana and China, always striving to create new sound worlds in which contrasting concepts vividly coexist in unique textures.

More Articles ...

  1. Aleksandra Vrebalov
  2. Rale Mićić
  3. Jasna Popovic
  4. Stefan Milenkovich
  5. Djordje Stijepovic
  6. Vladimir Kulenović
  7. Marta Milosevic-Brankovic
  8. Djordje Nesic
  9. Dimitrije Vasiljević
  10. Ana Popovic
  11. Tatjana Rankovich
  12. Marina Arsenijević
  13. Ivana Kotov
  14. John Alexander Vidović
  15. Matea Prljevic
  16. Тијана Богићевић
  17. Sava Vemić
  18. Sofija Knezevic
  19. Aleksandra Denda
  20. Oksana Germain
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Luka Erceg

Luka Erceg
Luka Erceg, JD, LLM, MBA, CIRA
linkedin.com/in/lerceg

Luka Erceg is a Canadian-born, American entrepreneur who has focused on sustainable/clean tech ventures. He holds a Juris Doctorate (J.D.), Master of Laws (LL.M.), Master of Business Administration (M.B.A.), and Bachelor of Marketing (B.Com.). He is a Certified Turnaround Professional (C.T.P) through the Turnaround Management Association (T.M.A.), a Certified Insolvency and Restructuring Advisor (C.I.R.A.) through the Association of Insolvency and Restructuring Advisors (A.I.R.A.) and holds the Series 65 license from the North American Securities Administrators Association (NASAA).

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Notes On Ecumenism

St. Abba Justin Popovich - Notes on ecumenism
Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.

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